Research field (2):
Literature - British/English-languag
, Literature - European
Research keywords (7):
Early Modern British Drama
, シェイクスピア
, 英国初期近代演劇
, Shakespeare
, English Drama
, English Literature
, English
Research theme for competitive and other funds (7):
2014 - 2018 The relation of British Imperialism and Shakespeare's souces and adaptations
2011 - 2015 Digital Archives and the Study of Early Modern English Dramas: the Network of Play Houses, Players and Printers
2009 - 2012 シェイクスピア劇の材源と改作に関わる翻訳プロジェクト研究
2008 - 2012 The Japanese translation project of Shakespeare's sources and adaptations
2011 - デジタルアーカイブズと英国初期近代演劇研究-劇場、役者、印刷所を繋ぐネットワーク
2004 - 2007 シェイクスピア劇におけるイリュージョン
2004 - 2007 Illusions in Shakespeare's Plays
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Papers (12):
Yuko Sugiura. Satirical Poet's Return and Exit in John Marston's What You Will. Kansai English Studies. 2021. 14. 9-16
Yuko Sugiura. John Marston's strategy as a satirist seen from paratexts in his dramas. 2020. 170. 21-31
Yuko SUGIURA. George Granville's "The Jew of Venice": the representation of Jews between the readmission of Jews to England and Jewish Naturalization Act. Konan English Studies. 2018. 33. 1-32
Yuko SUGIURA. Book Review: Richard Dutton, "Shakespeare, Court Dramatist" (Oxford University Press, 2016). Shakespeare Studies. 2018. 55. 35-38
Yuko SUGIURA. Dramaturgy of Antonio and Mellida by John Marston. Bulletin of Konan University, Humanity. 2018. 168. 47-58
SUGIURA Yuko, YAMATO Takayuki, KOBAYASHI Junji, YAMASHITA Takako, NIWA Saki. William Painter, "Romeo and Julietta" : Commentary and a Japanese Translation. Research bulletin of Naruto University of Education. 2011. 26. 258-287