Rchr
J-GLOBAL ID:200901015520861551   Update date: Sep. 29, 2022

Anno Mariko

アンノウ マリコ | Anno Mariko
Affiliation and department:
Job title: Associate Professor
Homepage URL  (1): https://annomariko.wordpress.com
Research field  (4): Aesthetics and art studies ,  Aesthetic practices ,  Literature - Japanese ,  Cultural anthropology and folklore
Research keywords  (4): Music ,  Ethnomusicology ,  Noh ,  Music Education
Research theme for competitive and other funds  (3):
  • 2015 - 2019 Reception and Development of Noh in Western Countries
  • 2017 - 2018 Japanese Music in Post-War Chicago
  • 2013 - 2015 Noh Transmission and Practice
Papers (5):
  • Mariko ANNO, Judy Halebsky. Innovation in No: Matsui Akira Continues a Tradition of Change. Asian Theatre Journal. 2014
  • Mariko ANNO. A Study on the Musical Aspects of New Noh Plays. Bulletin of the International Society for Harmonization of Cultures & Civilizations. 2011. 16. 10-19
  • Mariko ANNO. Nohkan and Teaching Methods: Influences of New Technology on Oral Transmission Today. International Forum for Young Musicologists 2010 in Yokohama. 2010. 172-182
  • Mariko ANNO. Musical Characteristics of English Noh: An Analysis through Noh Structure and Nohkan Melodic Patterns. Journal of the Society of Research in Asiatic Music. 2010. 75. 21-38
  • Mariko Anno. Nōkan (nō flute) and oral transmission: Cohesion and musicality through mnemonics. Asian Theatre Journal. 2010. 27. 1. 130-148
MISC (2):
  • Mariko ANNO. Deborah Wong’s Louder and Faster: Pain, Joy, and the Body Politic in Asian American Taiko, Ethnomusicology (Book Review). Ethnomusicology. 2021. 65. 3. 610-612
  • Mariko ANNO. Transversal Boundaries: Charms and Challenges of English Noh. The Association for International Exchange of Japanese Music (ed.). 2015. 26-29
Books (2):
  • Piercing the Structure of Tradition: Flute Performance, Continuity, and Freedom in the Music of Noh Drama
    Cornell University Press 2020
  • Szymon Goldberg Collection Catalog
    Tokyo University of Arts 2015
Lectures and oral presentations  (22):
  • ‘Ordinary’ Performers Learning Noh Techniques in the United States: The Noh Training Project
    (British Forum for Ethnomusicology, Annual Conference 2022)
  • Piercing the Structure of Tradition: Flute Performance, Continuity, and Freedom in the Music of Noh Drama
    (Cohosted by Tokyo Tech ANNEX Berkeley, Tokyo Institute of Technology and University of California Berkeley, Center for Japanese Studies 2021)
  • Transmission in Noh: What New Modes of Learning Cannot Replace
    (Society of Ethnomusicology Annual Meeting 2021)
  • Book talk: Piercing the Structure of Tradition: Flute Performance, Continuity, and Freedom in the Music of Noh Drama
    (Frontier Musicology, Tokyo University of the Arts 2021)
  • Expressive Freedom Within Set Patterns: The "Pulse" of Noh
    (Rhythm in Acting and Performance 2021)
more...
Works (1):
  • 3面マルチ映像の能〈鉄輪〉
    Akiko MIYAKE, Mariko ANNO, Tomomi NISHIKAWA - 2010
Education (5):
  • 2009 - 2012 Tokyo University of the Arts Department of Music, Ph.D. Program Ethnomusicology
  • 2007 - 2009 Tokyo University of the Arts Department of Music, Master's Program Ethnomusicology
  • 2003 - 2008 University of Illinois at Urbana-Champaign, Urbana, Illinois Department of Music, Doctoral Program
  • 2001 - 2003 University of Illinois at Urbana-Champaign, Urbana, Illinois Department of Music, Master's Program
  • 1995 - 1998 Lake Forest College Department of Chemistry Chemistry major; Music minor
Professional career (2):
  • Ph.D. (Tokyo University of the Arts; University of Illnois at Urbana-Champaign)
  • M.A. (Tokyo University of the Arts; University of Illnois at Urbana-Champaign)
Work history (10):
  • 2016/04 - 現在 Tokyo Institute of Technology Institute for Liberal Arts Associate Professor
  • 2018/09 - 2019/03 University of Michigan Center for Japanese Studies Toyota Visiting Professor
  • 2015/04 - 2016/03 Tokyo University of the Arts Music Research Center Research Fellow
  • 2015/04 - 2016/03 Tokyo Institute of Technology Foreign Language Research and Teaching Center Associate Professor
  • 2013/04 - 2015/03 Tokyo University of the Arts Music Research Center Researcher
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Committee career (1):
  • 2014/12 - 2016/12 Society for Research in Asiatic Music National Conference Organizer
Awards (9):
  • 2010/10 - Matsushita Konosuke Kinnen Research Grant A Study on the Creation and Performance of English Noh
  • 2010/04 - Rotary Yoneyama Foundation Rotary Yoneyama Memorial Scholarship
  • 2009/11 - Japanese Association of University Women Scholarship for Graduate Students International Exchange through Noh
  • 2009/09 - Phi Kappa Phi Love of Learning Grant
  • 2009/07 - Murata Science Foundation International Conference Travel Grant
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Association Membership(s) (9):
Society for Ethnomusicology ,  Association for Asian Studies ,  THE SOCIETY FOR RESEARCH IN ASIATIC MUSIC ,  Nohgaku Gakkai ,  Gakugeki Gakkai ,  JAPAN SOCIETY OF KANSEI ENGINEERING ,  Theatre Nohgaku ,  International Council for Traditional Music ,  JAPAN MUSIC EDUCATION SOCIETY
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