AKIRA TAKAOKA

タカオカアキラ | AKIRA TAKAOKA

Affiliation and department：
Job title： Professor

Research field (1)： Other

Research theme for competitive and other funds (2)：

2004 - 現在 Visual Music
1990 - 現在 Composition, Atonal Pitch Organization, Metaphor and a Methodology of Music Theory, Computer Programs for Automated Composition, Computer Programs for Automated Music Analysis

Papers (32)：

Akira Takaoka. ON THE SIGNIFICANCE OF CONTEMPORARY MUSIC: LEONARD MEYER’S CRITIQUE OF CONTEMPORARY MUSIC. 2011. 3. 1. 5?24
Akira Takaoka. Twelve-Tone Composition in a Bayesian Framework: A Case Study in Stravinsky’s “Libera me”. Studies in Art. 2011. 3. 110-140
Akira Takaoka. Metaphor and Methodological Foundations of Atonal Theory. Studies in Art. 2011. 3. 80-109
Akira Takaoka. Information Processing in Terms of Musical Sensitivity. The Journal of the Institute of Electronics, Information and Communication Engineers. 2009. 92. 11. 943-945-945
Akira Takaoka. JDubiel: A Java Applet for Pitch-Class Set Analysis. Proceedings of the 2009 International Computer Music Conference. McGill University, Montreal, Canada. 2009. 73-76

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MISC (49)：

Akira Takaoka. ON THE SIGNIFICANCE OF CONTEMPORARY MUSIC: LEONARD MEYER’S CRITIQUE OF CONTEMPORARY MUSIC. -. 2011. 3. 1. 5?24
Akira Takaoka. Twelve-Tone Composition in a Bayesian Framework: A Case Study in Stravinsky’s “Libera me”. Studies in Art. 2011. 3. 110-140
Akira Takaoka. Metaphor and Methodological Foundations of Atonal Theory. Studies in Art. 2011. 3. 80-109
高岡明. 現代音楽の有意性について:レナード・マイヤーによる現代音楽批判. Japanese Society for Sonic Arts 会報. 2011. 3. 1. 5?24
Twelve-Tone Composition in a Bayesian Framework: A Case Study in Stravinsky’s “Libera me”. 玉川大学芸術学部紀要. 2011. 3. 110-140

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Books (1)：

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2013 ISBN:9784787273345

Lectures and oral presentations (9)：

Invited talk: Category Formation and ??Style Change in Music
(Conference on Brain Science, organized by the Brain Institute, Tamagawa University, in Yugawara, Kanagawa 2016)
Co-executive director of forum "Tokyo Summit: The Japanese Music Heritage in the 21st Century"
(Tokyo Summit: The Japanese Music Heritage in the 21st Century 2014)
Original composition _Prelude and Variation_ was premiered by Jason Calloway in New York
(Jason Calloway in Recital 2014)
Panel chair of "New York Summit: The Japanese Music Heritage in the 21st Century"
(New York Summit: The Japanese Music Heritage in the 21st Century 2013)
The Music of Akira Takaoka
(Lecture at the Music Department, Dartmouth College, USA 2012)

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Works (48)：

Sound production for "Mysterious Night Flower" (2010) by Erina Kashihara
2010 - 現在
RESPONSORIUM was selected for performance at Spark Festival of Electronic Music and Arts 2010 in Minneapolis, USA.
2010 - 現在
RESPONSORIUM was selected for performance at New York City Electro-Acoustic Music Festival and presented on March 25, 2010.
2010 - 現在
Invited performance at NWEAMO Festival in Venice, Italy
2009 - 現在
Responsorium for soprano and computer, premiered in Tokyo
2009 - 現在

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Education (3)：

Graduate School of Arts and Sciences Music Department
Graduate School, Keio University Faculty of Letters Philosophy
Keio University Faculty of Literature

Professional career (5)：

Ph.D. (博士) (コロンビア大学)
M.Phil. (コロンビア大学)
MA (修士) (コロンビア大学)
文学修士 (慶應義塾大学)
文学士 (慶應義塾大学)

Work history (5)：

2022/04 - 現在 Tokyo College of Music Professor
2020/08 - 現在 Durham University, イギリス Research Associate
2011 - 現在 Tokyo University of the Arts Music Department Lecturer
2009/04/01 - 現在 Graduate School of Science and Engineering, Chuo University Lecturer
2011/10 - 2016/08 Graduate School of Arts and Sciences, Columbia University Research Officer

Committee career (16)：

2013/03 - 2013/08 国際コンピュータ音楽会議(International Computer Music Conference)2013、パース、オーストラリア、音楽審査員
2000 - 2011 「情報処理学会SIGMUSインターカレッジ・コンピュータ音楽ワーキンググループ」役員(会計監査)および運営委員
2010/09 - 2010/10 日本感性工学会論文審査委員
2009 - 2009 情報処理学会論文査読委員
2009 - 2009 文部科学省/日本学術振興会「大学教育推進プログラム」ペーパー・レフリー

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Association Membership(s) (10)：

Information Processing Society of Japan , International Computer Music Association , The Japanese Society for Sonic Arts , The Society for Electro-Acoustic Music in the United States (SEAMUS) , American Musicological Society , Society for Music Perception and Cognition , Music Theory Society of New York State , ASCAP , College Music Society , Society for Music Theory

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