Fujiki Hideaki

Affiliation and department：
Job title： Professor
Homepage URL (1)： https://eizogaku.wordpress.com

Research field (1)： Aesthetic practices

Research keywords (6)： Ecology , History , Culture , Japan , Visual Media , Cinema

Research theme for competitive and other funds (14)：

2015 - 現在 Environmental issues through documentary: Cinema confronting the contemporary problem
2019 - 2024 Moving Image Practices Confronting Socio-Ecological Issues: Documentaries on the Post-3/11 Situations
2018 - 2019 What is the Cinema Audience?
2016 - 2016 Culturally Mediated Environmental Issues
2013 - 2016 初期発声映画を巡る言説の歴史:日本と朝鮮の比較研究

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Papers (35)：

藤木秀朗. 文化としてのゴミ序. JunCture 超域的日本文化研究. 2021. 12. 7-9
藤木秀朗. 映画に媒介された放射性廃棄物--環境映像批評、グローバルな倫理的想像力、『チャルカ』(2017). JunCture 超域的日本文化研究. 2021. 12. 84-109
Hideaki Fujiki. The Spectator as Subject and Agent. The Japanese Cinema Book. 2020. 53-67
Hideaki Fujiki, Alastair Phillips. Japanese Cinema and Its Multiple Perspectives. The Japanese Cinema Book,. 2020. 1-22
Ryoko Misono with, Hideaki Fujiki, Alastair Phillips. Melodrama, Modernity and Displacement: That Night’s Wife (1930). The Japanese Cinema Book. 2020. 325-334

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MISC (21)：

藤木秀朗. 近現代日本における文化・社会の主体としてのジェンダー. GRL Studies. 2021. 20-23
藤木秀朗. 書評「近藤和都著『映画館と観客のメディア論--戦前期日本の「映画を読む/書く」という経験』. 映像学. 2021. 105. 104-107
スターシステム. アメリカ文化事典. 2017. 644-645
Hideaki Fujiki. A brief description of Making Personas: Transnational Film Stardom in Modern Japan. Film History. 2017. 29. 2. 193-193
藤木秀朗. 展望--「ポスト人文学」時代の大学院と映像学. 日本映像学会会報. 2017. 178. 2-2

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Books (13)：

The Japanese Cinema Book
British Film Institute/Bloomsbury 2020 ISBN:9781844576784
What is the Cinema Audience: A Modern and Contemporary History of Media and Social Subjects
University of Nagoya Press 2019
Media Convergence in Japan
Kinema Club 2016
Fukushima and the Arts: Negotiating Nuclear Disaster
Routledge 2016
Oxford Handbook of Japanese Cinema
Oxford University Press 2014

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Lectures and oral presentations (53)：

On The Japanese Cinema Book
(Global Virtual Symposium, “Japanese Cinema from Multiple Perspectives” 2021)
Ecological Reality as Contesting Global Imaginations: Documentary on Radioactive Waste
(Invited Lecture 2021)
Mediating Animals and Place in Post-3/11 Japanese Documentaries
(Invited Lecture 2020)
Open Conversation
(Symposium “Imagining Post 3.11 Futures and Living with Anthropogenic Change" 2020)
Imagining the Uneven Globe: Documentaries on Radioactive Waste
(Symposium “Imagining Post 3.11 Futures and Living with Anthropogenic Change" 2020)

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Education (3)：

1997 - 2004 University of Wisconsin-Madison Department of Communication Arts Film Studies
1995 - 1997 University of Wisconsin-Madison Department of Communication Arts film studies
1990 - 1993 Nagoya University Graduate School, Division of Letters Japanese Language and Culture

Professional career (5)：

博士号 (ウィスコンシン大学マディソン校)
学術修士 (ウィスコンシン大学マディソン校)
Master of Arts (Nagoya University)
Ph.D. (University of Wisconsin-Madison)
Master of Arts (University of Wisconsin-Madison)

Work history (12)：

2018/04/01 - 現在 Nagoya University Graduate School of Humanities Professor
2017/04 - 現在 Nagoya University Graduate School of Humanities
2013/04 - 2018/03 Nagoya University Graduate School of Humanities Japan-in-Asia Cultural Research Center Professor
2010/10 - 2017/03 Graduate School of Letters, Nagoya University Professor
2014/03/01 - 2014/08/31 ウォリック大学映画テレビ研究学科客員教授

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Association Membership(s) (5)：

British Association of Film, Television and Screen Studies , The Japan Society of Image Arts and Sciences , Association for Asian Studies , Association for Cultural Studies , Society for Cinema and Media Studies

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