CHANDLER David John

Affiliation and department：
Job title： Professor
Homepage URL (1)： http://www.davidjchandler.co.uk/

Research field (1)： Literature - European

Research keywords (1)： British Musical Theatre; Late Romantic Italian Opera (Catalani and Montemezzi); The Lake Poets; Provincial Writing of the Romantic Period; George Borrow; Charles Dickens; Shakespeare, especially the history of Shakespearean criticism

Papers (83)：

CHANDLER David. Mary Linwood’s The House of Camelot (1858): An Early Case of Russian Influence on the English Novel. Notes and Queries. 2023. 268. 4. 298-303
CHANDLER David. Displaced Rituals, Replaced Contexts: Reimagining Garrick's Shakespeare Jubilee in Charles Dibdin's The Younger Brother (1793). Romanticism. 2023. 29. 3. 211-225
CHANDLER David. Tokyo Shift: Locking Japan into the Fast and Furious Franchise. Doshisha Studies in English. 2023. 104. 185-201
CHANDLER David. ‘The wandering Missionary, Tang-goo’: G. Herbert Rodwell’s creation of the first Pākehā Māori in published novels. Journal of New Zealand & Pacific Studies. 2022. 10. 2. 125-141
CHANDLER David. Dibdin Down the Coal Hole: G. Herbert Rodwell (1800-1852) and the Place of Popular Song. Doshisha Studies in English. 2021. 102. 1-41

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MISC (153)：

CHANDLER David. Filling the Gap: Retrospect Opera’s First Decade. Opera. 2024. 75. 2. 159-163
CHANDLER David. Review of Pietro Mascagni, Pinotta (Opera Discovery CD, 2021). Opera. 2023. 74. 11. 1385-1386
CHANDLER David. “Whistled by every dirty guttersnipe": Jack Sheppard, G. Herbert Rodwell, and the Nineteenth-Century Melodrama. Retrospect Opera (RO 010, G. Herbert Rodwell, Jack Sheppard). 2023
CHANDLER David. Sguardi su L’amore dei tre re. Programme essay for L’amore dei tre re, La Scala, Milan. 2023. 70-75
CHANDLER David. Ivor Novello: The Man with the Popular Touch. Programme essay for Michael Williams, The Land of Might-Have-Been, Buxton International Festival. 2023. 18-19

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Books (23)：

Introduction to and edition of Amelia Alderson, Adelaide in The Routledge Anthology of British Women Playwrights, 1777-1843, edited by Thomas C. Crochunis and Michael E. Sinatra
Routledge 2019
Introduction to and edition of Hannah Brand, Huniades; Or, The Siege of Belgrade in The Routledge Anthology of British Women Playwrights, edited by Thomas C. Crochunis and Michael E. Sinatra
Routledge 2019
“Mediating Richard Wagner and Henry Bishop: Frederick Corder and the Different Legacies of German and English Romantic Opera” in Romantic Legacies: Transnational and Transdisciplinary Contexts, edited by John Corrigan and Shun-liang Chao [chapter]
Routledge 2019
"Teaching British Musical Theatre in Japan" in Information Literacy in Music: An Instructor's Companion, edited by Beth Christensen, Erin Conor, and Marian Ritter [chapter]
A-R Editions 2018
"Andrew Lloyd Webber: Haunted by the Phantom" in The Oxford Handbook of the British Musical, edited by Robert Gordon and Olaf Jubin [chapter]
Oxford University Press 2016

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Education (2)：

- 1997 University of Oxford English
1987 - 1990 University College London (UCL) English and History of Art

Professional career (2)：

D.Phil. (University of Oxford)
M.Phil. (University of Oxford)

Work history (4)：

2004/04 - 現在 Doshisha University Faculty of Letters Department of English Professor
2002 - 10/2002-03/2004 Lecturer in English, Doshisha University.,
1999 - 10/1999-09/2002 Visiting Lecturer in English, Kyoto University.,
1994 - 10/1994-06/1999 Graduate Teaching Assistant, University of Oxford.,

Association Membership(s) (4)：

Retrospect Opera , The Japan Association of English Romanticism. , The George Borrow Society. , The Dickens Fellowship of Japan.

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