Rchr
J-GLOBAL ID:200901095714604855   Update date: Jan. 30, 2024

Fujita Takanori

フジタ タカノリ | Fujita Takanori
Affiliation and department:
Job title: -professor
Homepage URL  (1): https://rcjtm.kcua.ac.jp/researchers/takanori_fujita.html
Research field  (4): Cultural anthropology and folklore ,  Literature - Japanese ,  Art history ,  Aesthetics and art studies
Research keywords  (9): 民族音楽学 ,  節付法 ,  記譜法 ,  伝承 ,  能 ,  音楽 ,  transmission ,  No ,  Music
Research theme for competitive and other funds  (16):
  • 2006 - 2026 能の謡の作詞作曲(節付)規範ー世阿弥音曲伝書の読み直し
  • 1989 - 2026 能における音の演劇的はたらき
  • 1984 - 2026 能を中心とする音楽/芸能/儀礼の伝承様式
  • 2020 - 2024 新出コレクション「西村公一文庫」の目録作成と江戸時代の日本伝統音楽の資料学的研究
  • 2018 - 2022 Innovating notational systems of Japanese medieval chants
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MISC (16):
  • Takanori Fujita, Edgar W. Pope. The Community of Classical Japanese Music Transmission: The Preservation Imperative and the Production of Change in Nō. By Takanori Fujita. Translated by Edgar W. Pope. Ethnomusicology Translations. 2019. 9. 1-41
  • Takanori Fujita. Layers and elasticity in the rhythm of Noh songs: taking‘komi’and its social background. Thought and play in musical rhythm. 2019. 212-231
  • Jarosław Kapuściński, François Rose, Takanori Fujita. Noh as Intermedia. http://noh.stanford.edu. 2019
  • Takanori Fujita, Translated by Alison Tokita. No and Kyogen: music from the medieval theatre. Alison McQueen Tokita and David W. Hughes (eds.) The Ashgate Research Companion to Japanese Music.(Aldershot, England: Ashgate Publishing Ltd.). 2009
  • 藤田隆則. 歌舞が儀式的なものとなる機構-西浦田楽にみられる「離脱」と「放置」. 菅原和孝(編)『身体資源の共有 資源人類学9』弘文堂、所収、単著論文. 2007
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Books (7):
  • Anatomy of Noh 'Hagoromo'
    Research Institute for Japanese Traditional Music, Kyoto City University of Arts 2022 ISBN:9784910601014
  • Studies on the Text and Melody of Japanese Song and Narrative
    Kyoto City University of Arts 2012
  • 『能のノリと地拍子ーリズムの民族音楽学』
    檜書店 (単著) 2010 ISBN:9784827909838
  • 『日本の伝統音楽を伝える価値ー教育現場と日本音楽』
    京都市立芸術大学 (久保田敏子との共編著) 2008 ISBN:9784990414108
  • 『能の地拍子研究文献目録』( 科学研究費基盤研究C(課題番号15520099)研究成果報告書)
    藤田隆則 (単著) 2006
more...
Lectures and oral presentations  (4):
  • Masculinity as expressed through the Distortion of ‘Musical’ Scale in Japanese Noh Drama Song
    (International Council for Traditional Music (July 1-8, 2009) 2009)
  • Masculinity as expressed through the Distortion of ‘Musical’ Scale in Japanese Noh Drama Song
    (ICTM(International Council for Traditional Music) World Conference (July 1-8, 2009) 2009)
  • Performers’ Embodied ‘Separation’ in the Ritual Dance Performances of the Nishiure Dengaku
    (“Towards Anthropology of Resources”(Dec. 9-10, 2006) 2006)
  • Performers’ Embodied ‘Separation’ in the Ritual Dance Performances of the Nishiure Dengaku
    (“Towards Anthropology of Resources”(Dec. 9-10, 2006) 2006)
Education (4):
  • - 1988 Osaka University
  • - 1988 Osaka University Graduate School, Division of Letters
  • - 1984 Osaka University School of Letters
  • - 1984 Osaka University Faculty of Literature
Professional career (2):
  • M.A. (Osaka University)
  • Ph.D (Osaka University)
Work history (7):
  • 2012/04 - 現在 Kyoto City University of Arts Research Institute for Japanese Traditional Music professor
  • 2007/04 - 2012/03 - 京都市立芸術大学 准教授
  • 2005/04 - 2007/03 Kyoto City University of Arts
  • 2002/04 - 2005/03 Osaka International University
  • 1997/04 - 2002/03 Osaka International University for Women
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Association Membership(s) (7):
Society for Ethnomusicology ,  International Council for Traditional Music ,  楽劇学会 ,  能楽学会 ,  東洋音楽学会 ,  日本音楽学会 ,  Society for Ethnomusicology; International Council for Traditional Music
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