Research keywords (5)：
Film and Visual Culture
, Japanese Women's History
, Gender Studies
, Japanese Film
, Animation
Papers (12)：
Hikari Hori. Yoru no onnatachi (1948): Male Complcity,Gender Equality and Democracy as Represented in an Immediate Postwar Japanese Film. Schriftenreihe der Vierteljahrshefte für Zeitgeschichte. 2019. 119. 167-181
Hikari HORI. Tezuka, shōjo manga and Hagio Moto. Mechademia. 2013. 8. 299-311
Hikari HORI. Views from Elsewhere: Female Shoguns in Yoshinaga Fumi’s Ōoku and Their Precursors in Japanese Popular Culture. Japanese Studies. 2012. 32. 1. 77-95
Hikari HORI. Representing a Woman’s Story: Sexually Explicit Film and the Efficacy of Censorship in Japan. SARAI Reader. 2005. 5. 457-465
Documentary and the Intimate Sphere: Haneda Sumiko in the 1980s and the 1990s
(Japanese Documentary Filmmaker Haneda Sumiko: Authorship and Gender Discourses, London University 2021)
Discussant for the panel: Women’s Biographies in Modern Japan: Fictional, Collective, Exemplary and Fake
(ASCJ 2018)
Education (3)：
- 2003 Gakushuin University Ph.D., Graduate School of Arts and Sciences
- 1993 City University of New York MA, Art History
- 1989 Sophia University BA, History
Professional career (3)：
B.A. (Sophia University)
M.A. (City University of New York)
Ph.D. (Gakushuin University)
Work history (5)：
2017/04 - 現在 Toyo University Dept. of Intercultural Culture and Communication Studies, Faculty of Letters Associate Professor
2016/07 - 2016/12 Dept. of East Asian Languages and Cultures, Columbia University Associate Professor
2010/07 - 2016/06 Columbia University Dept. of East Asian Languages and Cultures Assistant Professor
2007/01 - 2010/06 Columbia University Dept. of East Asian Languages and Cultures Adjunct Assistant Professor
2006/09 - 2006/12 Ford Associateship, Five College Women’s Studies Research Center, South Hadley, Massachusetts University of Massachusetts, Amherst Ford Associateship
