研究者
J-GLOBAL ID：200901094132127843   更新日: 2024年01月06日

CHANDLER David John

CHANDLER David John
所属機関・部署：
同志社大学 文学部英文学科

同志社大学 文学部英文学科 について


職名： 博士前期課程教授
ホームページURL (1件)： http://www.davidjchandler.co.uk/
研究分野 (1件)： ヨーロッパ文学
研究キーワード (1件)： British Musical Theatre; Late Romantic Italian Opera (Catalani and Montemezzi); The Lake Poets; Provincial Writing of the Romantic Period; George Borrow; Charles Dickens; Shakespeare, especially the history of Shakespearean criticism
論文 (83件)：
  • CHANDLER David. Mary Linwood’s The House of Camelot (1858): An Early Case of Russian Influence on the English Novel. Notes and Queries. 2023. 268. 4. 298-303
  • CHANDLER David. Displaced Rituals, Replaced Contexts: Reimagining Garrick's Shakespeare Jubilee in Charles Dibdin's The Younger Brother (1793). Romanticism. 2023. 29. 3. 211-225
  • CHANDLER David. Tokyo Shift: Locking Japan into the Fast and Furious Franchise. Doshisha Studies in English. 2023. 104. 185-201
  • CHANDLER David. ‘The wandering Missionary, Tang-goo’: G. Herbert Rodwell’s creation of the first Pākehā Māori in published novels. <i>Journal of New Zealand & Pacific Studies</i>. 2022. 10. 2. 125-141
  • CHANDLER David. Dibdin Down the Coal Hole: G. Herbert Rodwell (1800-1852) and the Place of Popular Song. Doshisha Studies in English. 2021. 102. 1-41
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MISC (153件)：
  • CHANDLER David. Filling the Gap: Retrospect Opera’s First Decade. Opera. 2024. 75. 2. 159-163
  • CHANDLER David. Review of Pietro Mascagni, Pinotta (Opera Discovery CD, 2021). Opera. 2023. 74. 11. 1385-1386
  • CHANDLER David. “Whistled by every dirty guttersnipe": Jack Sheppard, G. Herbert Rodwell, and the Nineteenth-Century Melodrama. Retrospect Opera (RO 010, G. Herbert Rodwell, Jack Sheppard). 2023
  • CHANDLER David. Sguardi su L’amore dei tre re. Programme essay for L’amore dei tre re, La Scala, Milan. 2023. 70-75
  • CHANDLER David. Ivor Novello: The Man with the Popular Touch. Programme essay for Michael Williams, The Land of Might-Have-Been, Buxton International Festival. 2023. 18-19
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書籍 (23件)：
  • Introduction to and edition of Amelia Alderson, <i>Adelaide</i> in <i>The Routledge Anthology of British Women Playwrights, 1777-1843</i>, edited by Thomas C. Crochunis and Michael E. Sinatra
    2019
  • Introduction to and edition of <i>Hannah Brand, Huniades; Or, The Siege of Belgrade</i> in <i>The Routledge Anthology of British Women Playwringhts</i>, edited by Thomas C. Crochunis and Michael E. Sinatra
    2019
  • “Mediating Richard Wagner and Henry Bishop: Frederick Corder and the Different Legacies of German and English Romantic Opera” in <i>Romantic Legacies: Transnational and Transdisciplinary Contexts</i>, edited by John Corrigan and Shun-liang Chao [chapter]
    2019
  • "Teaching British Musical Theatre in Japan" in <i>Information Literacy in Music: An Instructor's Companion</i>, edited by Beth Christensen, Erin Conor, and Marian Ritter [chapter]
    A-R Editions 2018
  • "Andrew Lloyd Webber: Haunted by the Phantom" in <i>The Oxford Handbook of the British Musical</i>, edited by Robert Gordon and Olaf Jubin [chapter]
    Oxford University Press 2016
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学歴 (2件)：
  • - 1997 オックスフォード大学コーパス・クリスティ・コレッジ大学院 English
  • 1987 - 1990 University College London (UCL) English and History of Art
学位 (2件)：
  • 博士号 (オックスフォード大学)
  • 修士号 (オックスフォード大学)
経歴 (4件)：
  • 2004/04 - 現在 同志社大学 文学部 英文学科 Professor
  • 2002 - 10/2002-03/2004 Lecturer in English, Doshisha University.,
  • 1999 - 10/1999-09/2002 Visiting Lecturer in English, Kyoto University.,
  • 1994 - 10/1994-06/1999 Graduate Teaching Assistant, University of Oxford.,
所属学会 (4件)：
Retrospect Opera ,  The Japan Association of English Romanticism. ,  The George Borrow Society. ,  The Dickens Fellowship of Japan.
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