Akiko Sonoda. Silence in Wordsworth’s ‘The Last of the Flock.’. 福岡大学人文論叢. 2016. 47. 4. 1151-1160
Akiko Sonoda. Walking and Contemplating in the Magnetic Field: Thoreau’s “Walking” and Coleridge’s Polar Logic. Poetica: An International Journal of Linguistic Literary Studies. 2016. 85. 2016 Spring. 115-127
Akiko Sonoda. Why Dickens Resumed his Association with American Publishers in 1851. Nagoya University Journal of the School of Letters. 2015. 11. 29-34
Akiko Sonoda. Henry C. Carey, Publisher and Economist, on International Copyright. Nagoya University Journal of the School of Letters. 2014. 10. 13-19
Akiko Sonoda. What would Blake Say about the Blake Archive and Today's Digitalization?. Poetica. 2013. 79. 47-55
“The French Revolution and the Question of Liberty: Coleridge’s Verse Contributions to The Morning Post ”、Voyages of Conception: Essays in English Romanticism(『イギリス・ロマン派学会創立30周年記念論文集』)、イギリス・ロマン派学会編著
桐原書店 2005
「知識人の社会における道徳的役割-S. T. コールリッジの『教会と国家について』を中心に」、『英文学と道徳』
九州大学出版会 2005
“Coleridge’s ‘Clerisy’ and Confucianism in ‘The American Scholar’: How They Inspired Ralph Waldo Emerson”
(Coleridge, Romanticism, and the Orient: Cultural Negotiations 2011)
“Why Dickens Resumed his Connection with American Publishers”
(Material Cultures 2010 2010)
“What would the Romantic Poets Say about Today's Digitalization and Copyright Questions?”
(Digital Romanticisms 2010)