Takuji NOSE. A Stylistic Analysis of Linguistic Features in the Characterization of the Doppelgänger Protagonist in Eugene O’Neill’s Days Without End. 福岡女学院大学紀要 人文学部編. 2023. 33. 1-19
Takuji NOSE. Abandonment and Quest of Faith in Eugene O’Neill's Plays. 英語表現研究. 2022. 39. 41-59
Takuji NOSE. Female Dominance in the Movie The Devil Wears Prada: A Corpus Stylistic Approach Toward Two Central Characters’ Speeches. 福岡女学院大学紀要 人文学部編. 2022. 32. 49-68
Takuji NOSE. A Corpus Stylistic Approach toward ‘Force of Meaning’ in Eugene O’Neill’s Mourning Becomes Electra. 『混沌と共存する比較文化研究』. 2020. 108-120
Takuji NOSE. Creative Process of Dialogical Speeches in Days Without End. 福岡女学院大学紀要 人文学部編. 2019. 29. 41-66
“Force of Meaning in Eugene O’Neill’s Mourning Becomes Electra”
(PALA 2019 (Annual International Conference of Poetics and Linguistics Association) 2019)
“An Analysis of the Malicious Dialogues Between the Mannon Ladies in Eugene O’Neill’s Mourning Becomes Electra”
(PALA 2013 (Annual International Conference of Poetics and Linguistics Association) 2013)
“How does Eugene O’Neill depict two or three aspects of a split-natured protagonist?-An Analysis of Linguistic Features in Characterization in The Great God Brown-”
(PALA 2010 (Annual International Conference of Poetics and Linguistics Association) 2010)
“Creative Development in Dialogue in Days Without End”
(PALA 2009 (Annual International Conference of Poetics and Linguistics Association) 2009)
“Speech System of the Stage Manager in Thornton Widler’s Pullman Car Hiawatha”
(PALA 2008 (Annual International Conference of Poetics and Linguistics Association). The University of Sheffield. 2008)
