青木 加苗. 「オリジナル木版画」と水性木版 : ヴァルター・クレムとカール・ティーマンの試みを中心に-Concept of "Original Holzschnitt" and Water-Based Woodcut Printmaking : Focusing on the Experiments by Walther Klemm and Carl Thiemann. DNP文化振興財団学術研究助成紀要 = The bulletin of graphic culture research grant. 2022. 4. 4. 10-19
Japonisme as Cross-cultural Impact: German Woodblock Prints and Japanese “Creative Prints” Movement, ICFA Individual Sessions
(ICOM Kyoto 2019; ICDAD-ICFA-GLASS Joint Meeting 2019)
Seitaro Kitayama and the Reception of Western Art: Modification of its Meaning Through Presentation
(2018)
Would permanent displays take root in Japan: From the historical background of Japanese museums to a case study of contemporary collection usage
(2017)