Musical Expression in Traditional Japanese Theatres
Aesthetics in the Performance Practices of Japanese Theatres
Study on Traditional Japannese Theatres
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MISC (21件):
Between Noh and Kyogen: The Heart That Dances and the Heart That Does Not Dance, Part I. Research Reports of Kanagawa Institute of Technology Part A. Humanities and Social Science. 2004. No. A-28
狂言に現れる場所と移動 その3. 異次元の場所・演劇的効果 (Places and Changes of Places in Kyôgen Comedic Theatre Part III: Super-dimensional Space and Theatrical Efficacy). 神奈川工科大学研究報告 A 人文社会科学編. 2003. 27. 35-46
狂言に現れる場所と移動 その2.中・遠距離の移動(Places and Changes of Places in Kyogen Comedic Theatre-PartI:Places in Daily Life). 神奈川工科大学研究報告A 人文社会科学編. 2002. 26. 21-31
The Use of the Body in Noh and Kyogen in the Expression of the Passage of Time. Dancing Body or Dance & Body?(Inter-Congress of IUAES(The International Union of Anthropological and Ethnological Sciences). 2002. 22-36
狂言に現れる場所と移動その1.日常生活の場所(Places and Changes of Places in Kyogen Comedic Theatre-PartI:Places in Daily Life). 神奈川工科大学研究報告 A 人文社会科学編. 2001. 24. 57-65
Actor Training, Noh music training, Noh flute performance, and assistant direction in the University of Hawaii production of Noh Matsukaze, Kyogen Buaku and Yobikoe
1988 - 1989