久保 豊. Queering Film Location and the Byakkotai: Kinoshita Keisuke's Queer Sensibility and Sekishunchō (1959). Reconstruction: Studies in Contemporary Culture. 2016. 16. 2
Framing the Aftertaste of Loss: Food and (In)Digestion in Haruhara-san’s Recorder
(The 17th annual convention of the Association for Studies of Culture and Representation 2023)
Revisiting Keisuke Kinoshita through a Queer Lens
(The 13th Asian Conference on Media, Communication & Film 2022)