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Mariko Yurikusa. The dome painting of San Giovanni Evangelista in Parma: The relationship between Correggio’s form and content, depending on the viewer and the viewer’s position. Aesthetics (The Japanese Society for Aesthetics). 2018. 22. 55-69
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The Reception of the Italian Renaissance Paintings and Its Historical and Cultural Context in the Modern Western Europe
(Humanités - Identités. Les humanités et la construction d’identités culturelles collectives au XIXe et XXe siècle, Université de Strasbourg 2018)