諏訪暁. Metatextual Space and the Potential for Utopia in Affinity. コミュニカーレ. 2023. 12. 21-40
Marie-Luise Kohlke, Elizabeth Ho, Akira Suwa. Heterotopic and Neo-Victorian Affinities: Introducing the Special Issue on Neo-Victorian Heterotopias. Humanities. 2022. 11. 8. 1-10
Akira Suwa. Heterotopic Potential of Darkness: Exploration and Experimentation of Queer Space in Sarah Waters’s Neo-Victorian Trilogy. Humanities. 2021. 11. 5. 1-11
諏訪暁. Imagining Monstrosity: Water and the Gothic in Don’t Look Now. 外国語外国文化研究. 2020. 30. 22-32
Akira Suwa. What Makes It Neo-Victorian?: The Handmaiden and the Double Internalisation of Cultural Colonisation. Victoriographies: A Journal of Nineteenth-Century Writing, 1790-1914. 2019. 9. 3. 280-297
Akira Suwa. Scandal and Survival in Nineteenth-Century Scotland: The Life of Jane Cumming (Review). British Association of Victorian Studies Newsletter. 2021. 21. 2. 3
Akira Suwa. Sarah Waters: Gender and Sexual Politics (Review). Contemporary Women's Writing. 2018. 12. 3. 387-389
Akira Suwa. Sex, Time and Place: Queer Histories of London, c. 1850 to the Present (Review). British Association of Victorian Studies Newsletter. 2017. 17. 3. 31-32
講演・口頭発表等 (11件):
Subverting the Heteropatriarchal Voice in Lyndsay Turner’s Tipping the Velvet (2015)
(Women Staging and Re-staging the Nineteenth Century (II) 2023)
Liminal Identities and Heterotopic Spaces in Sarah Moss’s Signs for Lost Children
(British Association for Victorian Studies Annual Conference 2023)
“We are always strangers in a strange land”: Neo-Victorian Liminality in Sarah Moss's Signs for Lost Children
(日本ヴィクトリア朝文化研究学会第22回全国大会 2022)
Romanticising the Victorian Past for the Japanese Reader in Moriarty the Patriot
(British Association for Victorian Studies Annual Conference 2022)
Traces of Victorian Britain in Northeast Asia: Cross-Cultural Neo-Victorianism in Park Chan-wook’s The Handmaiden
((Neo-)Victorian ‘Orientations’ in the Twenty-First Century 2019)