Research theme for competitive and other funds (11):
2024 - 2029 Revealing the True Picture of Noh Theatre in the Mid-Edo Period: Insights from the Kanze Archives
2023 - 2026 A Comprehensive Study on the Oral Tradition of Biwa Hōshi (Blind Lute Priest) Narratives and the Formation Process of the Heike Monogatari (The Tale of the Heike)
2024 - 2025 Comparative Studies around the Institutional Basis of Contemporary Dance
2021 - 2025 Building an Online Resource for a Comprehensive and Interdisciplinary Study of the "Language" in Noh Theatre
2021 - 2024 A Study on the Representation of "Dreams" in Japanese Traditional Theatre: From the Perspective of Comparative Theatre Studies
2021 - 2023 An Interdisciplinary Study of the Transmission Process of Noh Performance Artistry: Perspectives from Sports Science and Theatre Studies
2016 - 2020 能楽及び能楽研究の国際的定位と新たな参照標準確立のための基盤研究
2014 - 2019 Formation of Kanze Family Archives: Fresh Insights into Noh Theatre during the Muromachi Period
2014 - 2016 Grasping the dynamics of kata [stylized movement patterns] transmission: from the viewpoint of comparative theatre studies
2010 - 2013 Reimagining Noh Theatre History: Leveraging the Kanze Archives' Digital Collection
2006 - 2009 Cataloguing and Digitizing the Noh Materials of the Kanze Archives: A Comprehensive Study
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Papers (29):
Yokoyama Taro. What Does It Mean to Be the Author of Noh?: On the Textual Mutability of Pre-Zeami Noh Plays. Kanze. 2024. 91. 6. 28-33
Taro Yokoyama. Communication Analysis in Novice Noh Lessons: Transmitting Pre-actualized Performance Skills. Waza wo tsutaeru: nō no gigei denshō no ryōiki ōdan-teki kenkyū [The Art of Transmission: An Interdisciplinary Study of Skill Inheritance in Noh Theatre] edited by Taro Yokoyama,The Nogami Memorial Noh Theatre Research Institute of Hosei University, 2024. 2024. 162-200
Taro Yokoyama. The Formation of the Iemoto System in Meiji-Era Noh: Focusing on the Roles of Patrons and Co-performer Communities. History of the Performing Arts. 2024. 244. 48-61
1991 - 1996 The University of Tokyo College of Arts and Sciences
Professional career (1):
博士(学術) (東京大学)
Work history (7):
2019/04 - 現在 Rikkyo University Department of Expression Studies, College of Contemporary Psychology
2017/04 - 現在 Hosei University
2018/04 - 2019/03 Atomi University Faculty of Letters
2009/04 - 2018/03 Atomi University Faculty of Letters
2006/04 - 2009/03 Atomi University Faculty of Letters
2005/04 - 2006/03 The University of Tokyo
2002/04 - 2005/03 The University of Tokyo Interdisciplinary Cultural Studies, Graduate School of Arts and Sciences
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Committee career (10):
2016/05 - 現在 能楽学会 常任委員
2015/04 - 現在 横浜市 横浜市久良岐能舞台指定管理者選定評価委員会 委員長
2013/08 - 現在 一般財団法人観世文庫 評議員
2023/11 - 2024/03 大学改革支援・学位授与機構 学位審査会臨時専門委員
2022/06 - 2024/03 文化庁 令和4年度(第73回)芸術選奨委員(演劇部門推薦委員)
2014/03 - 2024/03 横浜市 横浜能楽堂指定管理者選定評価委員会委員長
2018/05 - 2021/02 文化庁 文化庁芸術祭審査委員(演劇部門)
2014/07 - 2018/07 表象文化論学会 理事 広報委員長
2006/01 - 2010/07 表象文化論学会 企画委員
2004/03 - 2007/03 能楽学会 実行委員
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Association Membership(s) (6):
IFTR(The International Federation for Theatre Research)
, European Association for Japanese Studies
, Association Internationale des Critiques de Theatre
, JAPANESE SOCIETY FOR THEATRE RESEARCH
, 能楽学会
, 表象文化論学会