Rchr
J-GLOBAL ID：201801012905079049   Update date: Sep. 05, 2023

Anan Nobuko

アナン ノブコ | Anan Nobuko
Affiliation and department：
Kansai University Faculty of Foreign Language StudiesDepartment of Foreign Language Studies

About Kansai University Faculty of Foreign Language StudiesDepartment of Foreign Language Studies


Job title： Professor
Homepage URL  (1)： https://sites.google.com/site/nobukoperf/
Research field  (2)： Aesthetic practices ,  Aesthetics and art studies
Research keywords  (3)： visual culture ,  gender/sexuality ,  Theatre Studies/ Performance Studies
Papers (17)：
  • Girls’ Aesthetics in Japan: Absence of Female Material Bodies. 2022. 22. 81-100
  • Finding a Place of Their Own: A Genealogy of Women in Japanese Theatre. 2022. 226-229
  • Nobuko Anan. The Nation as Family: Motherhood and Love in Japan. Oxford Handbook of Politics and Performance. 2021. 623-636
  • Nobuko Anan. Theatrical Realism in Manga: Performativity of Gender in Minako Narita’s Alien Street. Journal of Adaptation in Film & Performance. 2019. 12 (3): 133-141
  • Nobuko Anan. Girls' Aesthetics in Japanese Theatre. Japan Society Proceedings. 2017. 153
ｍore...
MISC (11)：
  • Nobuko Anan. Okada Toshiki & Japanese Theatre, edited by Peter Eckersall, Barbara Geilhorn, Andreas Regelsberger and Cody Poulton. English Journal of JSTR. 2023. 3. 1. 77-82
  • Nobuko Anan. The Aging Body in Dance: A Cross-cultural Perspective edited by Nanako Nakajima and Gabriele Brandstetter. Theatre Research International. 2018. 43. 3. 342-343
  • 阿南 順子. 羊屋白玉氏(指輪ホテルシアターカンパニー主催)と公開対談. 2016
  • Nobuko Anan. Talk with Toco Nikaido on her theatre company, Miss Revolutionary Idol Berserker. 2016
  • Nobuko Anan, Franklin Chang. Can Eros Be the Basis of Resistance?. 2012
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Books (1)：
  • Contemporary Japanese Women's Theatre and Visual Arts: Performing Girls' Aesthetics
    Palgrave Macmillan 2016
Lectures and oral presentations  (34)：
  • Building a Home in Limbo?: Dance Box’s Little Lullabies in Nagata, Kobe
    (De-centering Japanese Performance, University of California, Santa Barbara 2022)
  • The Takarazuka Revue and Resistant Girls’ Culture in Japan
    (YouTube Pop Culture Series #13, “Takarazuka: The Interplay between All-female Musicals and Girls’ Culture in Japan,” Japan Foundation New York 2022)
  • 新自由主義と女性身体--3次元から2次元へ
    (日本英文学会関東支部 2020年度秋季大会 第 19 回(2020 年度秋季大会) 2020)
  • 野田秀樹『MIWA』における母と愛を巡って
    (近現代演劇研究会 2019)
  • Noda Hideki’s MIWA: (Un)silencing ‘Maternal’ Voices
    (International Federation for Theatre Research 2019)
ｍore...
Works (4)：
  • ワークショップ「女の家族「帝国」?ー リャオ・プェイティン『ファミリー』を読む」
    阿南 順子 2016 -
  • Japan’s All-Female Takarazuka Revue: Considering Gender and Sexuality from Cross-Cultural Perspectives
    Nobuko Anan 2014 -
  • Takarazuka: One Hundred Years of Song and Dance
    Nobuko Anan 2014 -
  • Japanese Body Cultures and the Human Condition
    Nobuko Anan 2013 -
Education (1)：
  • 2009 - 2009 University of California, Los Angeles Department of Theater Theater and Performance Studies
Work history (6)：
  • 2018/04/01 - Professor, Department of Foreign Language Studies, Kansai University
  • 2017/10/01 - 2018/03/31 Senior Lecturer, Department of Cultures and Languages, Birkbeck, University of London
  • 2015/10/01 - 2017/09/30 Lecturer, Department of Cultures and Languages, Birkbeck, University of London
  • 2013/05/20 - 2015/09/30 Lecturer, Department of Film, Media and Cultural Studies, Birkbeck, University of London
  • 2011/09/01 - 2013/05/19 Lecturer, School of Arts, Northumbria University
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