Maruyama Yoko

Affiliation and department：
Research theme for competitive and other funds (3)：

Papers (8)：

Maruyama, Yoko. 弦楽器の室内楽作品の音響構成におけるブラームスの様式変化. Die Musikforschung. 2022. 1. 53-77
Maruyama, Yoko. Voice-Crossing in Beethoven's Duet for Piano and Violoncello: Use of Timbre as a Music-Structural Component. Bulletin, Faculty of Music, Tokyo Geijutsu Daigaku. 2022. 47. 99-114
What Do Arrangements Tell Us? : A Case Study of the Arrangements of Beethoven's Compositions. 2021. 36. 273-323
Maruyama, Yoko. Beethoven in Bonn, Beethoven in Vienna. 2020. 112-127
Maruyama Yoko. Beethoven's "Neuer Weg": Compositional Parallels with Anton Eberl. ONGAKUGAKU: Journal of the Musicological Society of Japan. 2018. 64. 2. 161-178

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MISC (3)：

フックスイングリト, 丸山瑶子. ゴットフリート・フォン・アイネムの交響曲への長い道のり (シンポジウムゴットフリート・フォン・アイネム生誕100年). ベルク年報. 2018. 17. 11-18
Maruyama, Yoko. Daigoro Arima und Akio Mayeda. Eine Würdigung zweier japanischer Musikwissenschaftler in Wien. Eine Doktoranden-Initiative zur Reflexion der Geschichte am Institut für Musikwissenschaft zum 650. Jubiläum der Universität Wien 2015. 2016. 1-10
丸山瑶子. 2つの弦楽四重奏曲ヴラニツキOp.4第3番とベートーヴェンOp.18第2番終楽章の比較分析(研究と報告). 音楽学. 2013. 59. 1. 29-32

Books (3)：

Lectures and oral presentations (10)：

Sound Construction in Piano Trios in the Late Nineteenth Century: Pitch Settings of the Strings in Johannes Brahms’ Piano Trios
(Chamber Music 1850-1918. On the occasion of the birth anniversaries of Antonín Dvořák and César Franck 2021)
Strukturell an Haydn und Mozart angelehnt, doch in Bezug auf Kolorit von den anderen “Kollegen” inspiriert?: Vergleich der Klangbauweise in Kammermusik zwischen Beethoven und seinen Zeitgenossen.
(2021)
Beethoven as "One" of the Composers in Eighteenth- and Nineteenth-Century
(Beethoven in a Global Perspective: Online International Music Festival in Commemoration of the 250th Anniversary of the Birth of Beethoven 2020)
Surprise to the Ears, Amusement to the Eyes: Compositional Strategy in the Face of the Expected Audience of the String Quartets
(Symposium. “String Quartets in Beethoven’s Europe” 2020)
Making the Orchestra at Home without the Orchestra: Lively Experience through Arrangements
(A Virtual Symposium “Music in the Home” 2020)

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Education (4)：

Professional career (1)：

Work history (9)：

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Association Membership(s) (4)：

The American Beethoven Society , 三田芸術学会 , 日本音楽学会 , The New Zealand Musicological Society

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