Research keywords (8):
English Renaissance drama
, Shakespeare
, original staging
, stage directions
, stage
, tiring-house
, entrances
, exits
Research theme for competitive and other funds (11):
2021 - 近代初期イギリス演劇における基本的舞台道具の使用方法に関する総合的研究
2018 - 近代初期イギリスの商業劇場における楽屋正面壁の構造と使用方法に関する総合的研究
2015 - 2018 初期近代イギリス演劇における舞台のカーテンの使用方法に関する研究
2012 - 2015 初期近代イギリス劇における視覚的表現手法の演劇空間論的観点からの研究
2009 - 2012 An Analytic Study of Early Modern Theatrical Language
2011 - 2011 A Study of Early Modern Basic Theatrical Terms: A Special Meaning of “Within”?
2006 - 2008 イギリス・ルネサンス劇におけるガーデン・シーンの研究
2004 - 2005 An Analytic Study of Basic Theatrical Terms in Early Modern English Play Texts
2003 - 2004 イギリス・ルネサンス劇の演技空間:「舞台上」と「舞台裏」
2001 - 2003 イギリス・ルネサンス劇における「演技の場」に関する研究
1998 - 2000 Entrances and Exits in English Renaissance Plays
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Papers (45):
Mariko Ichikawa. "At the Arras": What is the Location Implied in this Phrase?. Shakespeare Bulletin. 2022. 40. 2. 215-237
Mariko Ichikawa. "All the Doores": A Stage Direction Indicating More than Two Stage Doors. Theatre Notebook: A Journal of the History and Technique of the British Theatre. 2022. 76. 1. 2-13
Mariko Ichikaswa. “At Three Doores”, “At Three Seuerall Doores”, and “At the Middle Dore”: Three Stage Directions Referring to Three Stage Doors. Theatre Notebook: A Journal of the History and Technique of the British Theatre. 2020. 74. 2. 82-98
Mariko Ichikawa. ‘The Tire-house doore and Tapistrie betweene’: What is the Location Implied in This Phrase?. Shakespeare Studies. 2019. 57. 1-18
Mariko Ichikawa. Were Property Booths Used in the First Performance of Jonson's Bartholomew Fair?. Theatre Notebook: A Journal of the History and Technique of the British Theatre. 2017. 71. 2. 72-93