Sato Nozomi

サトウノゾミ | Sato Nozomi

Affiliation and department：
Job title： Professor

Research field (3)： Religious studies , Education - general , Aesthetics and art studies

Research theme for competitive and other funds (3)：

2006 - 2009 Theological Disputation on Church Music in the Protestant Germany of Barock Era
2000 - 2003 The Role and the Accountability of the Public Performing Arts Facilities in Japan - A Comparison between the Activities of the Public Performing Arts Facilities in Japan and those of American Universities.
2000 - 2001 地域文化振興および社会教育と芸術ホール--日本の公立芸術ホールと米国大学ホールの比較考察

Papers (6)：

“Martin Luther’s View on Musica and its Reception”, in: Society of Christian Culture ed., The Meaning of Reformation Today: Lecture Series Commemorating Reformation 500th Anniversary, Tokyo: Shinkyo Shuppansha, 2018, pp. 95-116. 2018
SATO NOZOMI. "Theologische Disputationen über Kirchenmusik und die darauf bezogenen Reaktionen der Musiktheorie im protestantischen Deutschland zwischen 1650 und 1750.". 2014
SATO NOZOMI. 1713~1732年のドイツ・プロテスタント地域における教会音楽を巡る論争について. 2013. 28. 53ー72
SATO NOZOMI. 「組曲」「フーガ」「楽譜」等、約70項目監訳、および共同監閲. 2006
SATO NOZOMI. 17-18世紀(バロック,古典派)転換期としての〈器楽の独立〉. 新世紀音楽学フォーラム転換期の音楽. 2001. 136-147

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MISC (6)：

Nozomi Sato. Sacred and Secular Music in the Church: What Can We Learn from Baroque Era. Liturgy and Music. 2019. 182. 夏. 14-18
Bach and Japan: A Short Reception History. 2019. 89. 4. 238-240
佐藤望. Heinrich Schütz, “Geistliche Chormusik”, “Die sieben Worte Jesu Christi am Kreutz” (CD Booklet), Nozomi Sato, Bach Collegium Japan directed by Masaaki Suzuki, BIS, BIS-CD-831/832, 1997.(English, German and French). 2002
SATO Nozomi. The Concept of 'Instrumental Music' in German Music Theory of the 17th and Early 18th Centuries. Journal of the Musicological Society of Japan. 1998. 43. 2. 81-98
佐藤望. Johann Sebastian Bach, “Der Dritter Teil der Clavier Übung”, (CD Booklet) Organ: Naoko Imai, ALM Records, ALCD-1041-1042, 2002. (Japanese, English and German). 1997

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Books (11)：

Early History of of Church Concert: A Comparison of its Historical and Philosophical Background with Comtemporary Japanese Church
The Board of Publications The United Church of Christ in Japan 2018
バロック音楽を考える Rethinking Baroque Music
音楽之友社 2017
(“1. Luther’s Reformation and Protestant School Education”, “2. The Dawn of Protestant Music Theology”, “3. Image of Haven and Music in the Lutheran Theology”, “4. ‘Arousal of the Inwardness’ Caused by Reformation and Music”, “5. How did the People of Bach’s Time Celebrated Reformation Day?”, series columns for program book, Bach Collegium Japan, Luther 500 Project Concert Series, 2015.6 - 2017.10)
2015
(Academic Skills: Research Guide for University and College Students, main author and editor: Nozomi Sato, co-authors: Takeshi Yukawa et al., Keio University Press, Tokyo, revised edition: 2012.9, p.184, first edition 2006.10)
2012
『日本の音楽教育学の再構築に関する基礎的研究:音楽教育の総合化・本質化・継続化を目指して』平成16〜17年度科学研究費補助金基盤研究(C)研究成果報告書(研究課題番号:16530570)
2006

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Lectures and oral presentations (23)：

Are the Four Duettos in Johann Sebastian Bach’s Clavier-Übung III (BWV 802-805) a Refutation of Theological Accusations?
(International Symposium "Agency and Identity in Music" in Lucerne 2019)
Music and Liberal Arts - Music as Vertical Axis and Horizontal Axis in Human Life
(ICU Sacred Music Center 69th Open Lecture 2019)
„Deine Zauber binden - Is Music an universal Language?“
(2019)
„Deine Zauber binden - Is Music au universal Language?“
(DAAD-Frühjahrstreffen Butterbrot und Bier 2019)
“How was Organ Music “theologically” interpret?: A Narrow Pass between Disputes and Art Criticisms in Bach’s Time”, Japan Organ Society, Regular meeting January 2018, Asagaya Church Tokyo, 2017.1.13.
(2018)

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Works (43)：

Music and Peace Choral Music of Three Centuries
2020 -
Early Music Vancouver, Collaboration Concert with UBC Early Music and Keio University; Dieterich Buxtehude: Mmbra Jesu Nostri and German Master Pieces; Alexander Weimann, music director; Nozomi Sato (choir master and organ); Sinéad White; Jane Long; Debi
2019 -
George Frideic Handel: Messiah, HWV 56, Keio Collegium Musicum, Academy Vocal Ensemble, conductor Nozomi Sato, Keio University Hiyoshi Campus Kyoseikan Music Hall , Yokohama
2018 -
Church Concert commemorating 500th Anniversary of Reformation, J Pachelbel: Magnificat, Johann Sebastian Bach: Lobet den Herrn (BWV 230), Heinrich Schütz: Ich liege und schlafe, etc. Organizer, Lecture and Organ (basso continuo): Nozomi Sato, Soprano: Koy
2017 -
Heinrich Schütz: Magnificat, selected pieces from Symphoniae Sacrae III, Keio University Collegium Academy Vocal Ensembre and Ensemble Milim, conductors: Nozomi Sato and Takuya Nemoto,; Keio University Hiyoshi Campus Kyoseikan Music Hall, Yokohama
2016 -

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Education (5)：

1994 - 1996 Ruhr University of Bochum 音楽学研究所博士課程
1992 - 1996 Tokyo National University of Fine Arts and Music, Graduate School, Doctorate Course Division of Music (Music History)
1988 - 1992 Tokyo National University of Fine Arts and Music, Graduate School, M.A. Course Division of Music Music History
1989 - 1991 University of Cologne, M.A. Course Institute of Musicology
1984 - 1988 Tokyo National University of Fine Arts and Music Faculty of Music

Professional career (3)：

Work history (11)：

2019/04 - 2020/03 Keio University Research Center for the Liberal Arts Part-time researcher for university or other academic organization
2018/04 - 2019/03 Aoyama Gakuin University Department of Comparative Arts
2007/04 - 2019/03 Keio University Professor
1999/04 - 2019/03 Keio University Faculty of Business and Commerce, Department of Business and Commerce Professor
2016/03 - 2017/02 University of British Columbia School of Music Visiting Professor

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Awards (2)：

Association Membership(s) (3)：

Musicological Society of Japan , 日本オルガン研究会 , International Musicological Society, Director-at-large

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