2009 - 2012 Mutual Attraction between Oriental and Western Culture
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Papers (35):
Katsushi Nakagawa. A Brief Consideration About the Relationship Between Sound Art and Tactile Sense. Computational Aesthetics. SpringerBriefs in Applied Sciences and Technology. 2018. 53-65
NAKAGAWA Katsushi. The Possible Context of Sound Art in Japan in the late 1980s: The Case of Creative Music Making. Journal of the College of Education, Yokohama National University. The humanities. 2018. 1. 18-35
Katsushi Nakagawa, Tomotaro Kaneko. A Documentation of Sound Art in Japan: Sound Garden (1987-1994) and the Sound Art Exhibitions of 1980s Japan. LEONARDO MUSIC JOURNAL. 2017. 27. 82-86
NAKAGAWA Katsushi, KANEKO Tomotaro. The Development of Sound Art in Japan : Some Contexts around 'On-Gu (Sound Object) in the 1980s'. CROSS SECTIONS. 2017. 8. 36-47-44
NAKAGAWA Katsushi. Book Review:Kahn, Douglass, 2013, Earth Sound Earth Signal Energies and Earth Magnitude in the Arts, Berkeley, CA : University of California Press. BIGAKU. 2014. 65. 2. 134-137-137
History of Sound Media
Nakanishiya Syuppan 2015 ISBN:9784779509513
Lectures and oral presentations (14):
Environmental music in the field of popular music: The case of 1980s Japan.
(The 6th Inter-Asia Popular Music Studies Conference 2018)
History of sound art in Japan and how to compare sound art in Asian countries (research in progress)
("Panel 3: Scene Report on Sound Practices in Japan, Hanoi" of WSK AXIS 2017 2017)
The possible direction of sound art in Japan in the 1980s: the Case of SEKINE Hideki.
(Crossroad2016 2016)
The Possible Context of "Sound Art" in Japan in the 1980s: Ethnomusicology.
(The 20th International Congress of Aesthetics. 2016)