Rchr
J-GLOBAL ID:200901095317762010   Update date: Apr. 17, 2020

Hirayoshi Hiroko

ヒラヨシ ヒロコ | Hirayoshi Hiroko
Affiliation and department:
Job title: Associate Professor
Homepage URL  (1): http://www.h.kobe-u.ac.jp/en/staffs-en/HIRAYOSHI%20Hiroko
Research field  (1): Aesthetics and art studies
Research keywords  (2): Culture and Representation ,  Fashion Theory
Research theme for competitive and other funds  (5):
  • 2016 - 2019 Exhibiting Fashion: The Role of the Museum in the 20th Century
  • 2017 - 2019 Comprehensive Study on the International Development of Fashion Exhibitions in Museums
  • 2013 - 2016 The Formative Effects of Media Imagery on American Fashion
  • 2010 - 2013 The Representation of the Seamstress in Fashion History with a Focus on19th Century America
  • 2006 - 2010 The Representation of the Good Woman and Fashion in "Godey's Lady's Book"
Papers (19):
  • HIRAYOSHI Hiroko. Fashion and Women in Media in Modern America: Magazines, Patterns, Display. Kobe University. 2018. 1-236
  • HIRAYOSHI Hiroko. Women and Dressmaking in Modern America: Needlework, Patterns, and Correspondence Education. Fashion Talks. 2017. 6. 2-11
  • HIRAYOSHI Hiroko. Aspects of the History of Clothing as Seen through Kobe University Artifacts: Faculty of Global Human Sciences; formerly the Faculty of Faculty of Human Development, the Faculty of Education, the Normal School. Bulletin of Graduate School of Human Development and Environment, Kobe University. 2017. 10. 2. 211-219
  • HIRAYOSHI Hiroko. The Representation of Sewing Women in Godey's Lady's Book. Aethetics. 2017. 20. 50-61
  • HIRAYOSHI Hiroko. Following a Model: The Emergence of Patterns in Fashion. Representation. 2017. 11. 254-269
more...
MISC (6):
  • HIRAYOSHI Hiroko. The Fashion Exhibition in Between. Fashion Talks. 2018. no.7. 18-19
  • Hiroko Hirayoshi. 合わせ鏡を使った写真の流行について. Fountain(s): When a Urinal Becomes Art. 2018. 95-95
  • HIRAYOSHI HIROKO. ハイヒールの意義は?. 日本医事新報. 2016. 4796. 60-61
  • 平芳 裕子. 服は語られることでファッションとなる. ダイアナ・ヴリーランド 伝説のファッショニスタ. 2012
  • 平芳 裕子. メタモルフォーゼとしてのファッション. 表象文化論学会ニューズレター『REPRE』. 2012
more...
Books (14):
  • The Apparatus of Gaze: Fashion and Modern America
    Seidosha 2018
  • 西洋近代の都市と芸術1 ローマ 外国人芸術家たちの都
    竹林舎 2013
  • 相対性コムデギャルソン論
    フィルムアート社 2012
  • "What's an Icon of Style" 時代を彩るファッション
    名古屋ボストン美術館 2012
  • 6+ アントワープファッション
    リュディオン 2009
more...
Lectures and oral presentations  (12):
  • アメリカの裁縫/刺繍文化と女性
    (「近代日本の手作りとジェンダー」第5回研究会 2016)
  • 二つの針仕事ー刺繍か裁縫か女性か
    (現代「手芸」文化に関する研究(国立民族学博物館共同研究) 2015)
  • モデルに倣うーファッションにおけるパターンの出現
    (表象文化論学会第10回研究発表集会 2015)
  • パターンによる流行受容ー初期『ハーパース・バザーの重要性』
    (意匠学会第224回研究例会 2015)
  • 針仕事のポエティックスーなぜ服は物語を紡ぐのか
    (藝術学関連学会連合第10回公開シンポジウム「日常のポエティックス」 2015)
more...
Education (3):
  • 1997 - 2003 The University of Tokyo Graduate School of Arts and Sciences Interdisciplinary Cultural Studies
  • 1995 - 1997 The University of Tokyo Graduate School of Arts and Sciences Culture and Representation
  • 1991 - 1995 Tokyo University of the Arts Faculty of Fine Arts Aesthetics and Art History
Professional career (2):
  • M.A. (The University of Tokyo)
  • Ph.D (Kobe University)
Work history (4):
  • 2011/05 - 現在 Kobe University Associate Professor
  • 2016/08 - 2017/05 The Fashion Institute of Technology, SUNY Visiting Scholar
  • 2007/04 - Kobe University Assistant Professor
  • 2003/04 - Kobe University Assistant Professor
Awards (1):
  • 2017/08 - The Japan Society of Design Best Paper Award The Importance of Paper Patterns in the Early Years of Harper's Bazar
Association Membership(s) (4):
THE JAPANESE SOCIETY FOR AESTHETICS ,  THE ASSOCIATION FOR STUDIES OF CULTURE AND REPRESENTATION ,  THE SOCIETY OF AESTHETICS OF COSTUME ,  THE JAPAN SOCIETY OF DESIGN
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