Kaneko Tomotaro

カネコトモタロウ | Kaneko Tomotaro

Affiliation and department：
Job title： Associate Professor
Homepage URL (1)： https://tomotarokaneko.com/

Research field (2)： Aesthetic practices , Aesthetics and art studies

Research keywords (3)：サウンド・アート , 聴覚文化論 , アンリ・ベルクソン

Research theme for competitive and other funds (5)：

2020 - 2023 1970年代の日本美術における音ーー「日本美術サウンドアーカイヴ」の実践
2017 - 2020 Namaroku culture in Japan in the 1970s
2015 - 2018 A Survey of the Development of Sound Art in Japan
2015 - 2017 A genealogy of audio/visual media for artistic expressions after personal fabrication
2012 - 2015 Analysis of the structure of sound generation for a systematic understanding of generative music

Papers (19)：

KANEKO Tomotaro. Namaroku culture in 1970s Japan: The techniques and joy of sound recording. Aesthetics (Japanese Society for Aesthetics). 2021. 23-24. 60-75
Tomotaro Kaneko. Kosai Hori’s Performances in the 1970s: Art after the Student Movement in the Late 1960s in Japan. Kallista. 2019. 26. 4-46
Tomotaro Kaneko. Sound Technology in Japanese Art after the movement of "Environmental Art": Bikyoto Generation in the Early 1970s. Hyosho: Journal of th Association for Studies of Culture and Representation. 2018. 12. 169-183
Tomotaro Kaneko. Listening to Sound Patterns: Tony Schwartz’s Documentary Recordings. Aesthetics (The Japanese Society for Aesthetics). 2018. 21. 138-148
Katsushi Nakagawa, Tomotaro Kaneko. A Documentation of Sound Art in Japan: Sound Garden (1987-1994) and the Sound Art Exhibitions of 1980s Japan. LEONARDO MUSIC JOURNAL. 2017. 27. 27. 82-86

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MISC (14)：

Tomotaro Kaneko. Listening to the self through artificial landscape: The field recordings of KAMIMURA Yoichi. Aomori Contemporary Art Centre [ACAC], Aomori Public University Artist in Residence Program 2016 / Summer: Ubiquitous Views. 2017. 48-51
Katsushi Nakagawa, Tomotaro Kaneko. The Development of Sound Art in Japan: Some Contexts around 'On-Gu (Sound Object) in the 1980s'. Cross Sections (The National Museum of Modern Art, Kyoto). 2017. 8. 8. 36-43
Katsushi Nakagawa, Kaneko Tomotaro. Research on the Development of Sound Art in Asian Countries: Interview with Ms. Yeung, Yang. Tokiwadai journal of human sciences. 2016. 2. 1. 80-91
Tomotaro Kaneko, Kazuhiro Jo. Generative Music Workshop Exhibition. 2015
渡辺裕, 吉田寛, 金子智太郎, 長門洋平, 福田貴成. 共同討議聴覚性の過去と現在. 表象. 2015. 9. 17-59

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Books (2)：

Translation: " The Audible Past: Cultural Origins of Sound Reproduction"
Inscript 2015 ISBN:9784900997585
iPhone x Music
Shoeisha 2009 ISBN:4798118885

Lectures and oral presentations (17)：

The tape recorder expressed as a subject: Fumio Takamizawa, Number of Sheep Who Jumped over the Fence
(The Japanese Society for Aesthetics 2016)
Self-Discovery Through Sound Recording: The Aesthetics of Namaroku in the 1970s Japan
(International Congress of Aesthetics 2016 2016)
音による出来事の表現の展開ーー録音コンテストの記録から
(藝術学関連学会連合第11回公開シンポジウム 2016)
The Namaroku boom: Stereophonic field recording in 1970s Japan
(Sound Art Matters 2016 2016)
「聴覚性」批判からの展望
(表象文化論学会 2015)

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Works (1)：

Education (3)：

2003 - 2010 Tokyo University of the Arts PhD in Fine Arts, Graduate school of Fine Arts
2006 - 2007 Goldsmiths, University of London MA in Aural and Visual Cultures
2001 - 2003 Tokyo University of the Arts

Professional career (3)：

Work history (15)：

2021/04 - 現在 Aichi University of the Arts Faculty of Art, Department of Fine Arts: Art History, Art Theory, and Conservation Associate Professor
2018/04 - 2021/03 Keio University Faculty of Letters
2017/04 - 2021/03 Tokyo University of the Arts Faculty of Fine Arts
2016/04 - 2021/03 Tokyo University of the Arts Graduate School of Film and New Media
2011/04 - 2021/03 Aoyama Gakuin University School of Cultural and Creative Studies

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Committee career (1)：

Association Membership(s) (4)：

表象文化論学会 , 日本ポピュラー音楽会 , 日仏哲学会 , 美学会

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