Rchr
J-GLOBAL ID：201001092555619864
Update date: Dec. 09, 2022
GILLAN, Matthew A.
ギラン,マット マット | GILLAN, Matthew A.
Affiliation and department：
Job title：
Professor
Papers (18)：
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Voice, body and melody in Ryukyuan classical music: Investigating the significance of SEREI Kunio's theory of agijin and sagijin. Okinawa Bunka. 2018. 51. 2 (122). 25-43
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Listening to the Voice in Kumiudui: Representations of Social Class and Gender through Speech, Song, and Prosody. Asian Music. 2018. 49. 1. 4-33
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Matt GILLAN. Song Monuments in Okinawa - Intersections of Sound, Place and Memory. Shima - The International Journal of Research into Island Cultures. 2017. 11. 2. 20-37
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Matt GILLAN. Constructing the singing voice: Vocal style, aesthetics and the body in Okinawan music. Journal of Interdisciplinary Voice Studies. 2017. 2. 2. 103-117
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Patrick E. Savage, Hiromi Matsumae, Hiroki Oota, Mark Stoneking, Thomas E. Currie, Atsushi Tajima, Matt Gillan, Steven Brown. How 'Circumpolar' is Ainu Music? Musical and Genetic Perspectives on the History of the Japanese Archipelago. ETHNOMUSICOLOGY FORUM. 2015. 24. 3. 443-467
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MISC (7)：
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The Construction of 'Buddhist Music' in Meiji Japan: Iwai Chikai and the Interconnection of Religious, Educational, National, and Musical Networks. Tōyō Ongaku Kenkyū - Journal of the Society for Research in Asiatic Music. 2022. 87. 25-45
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Sankyoku Magazine and the Invention of the Shakuhachi as Religious Instrument in Early 20th-Century Japan. Yale Journal of Music & Religion. 2021. 7. 1. 24-52
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The shakuhachi, Buddhism, and avant-garde music in early 20th century America - a study of the musical activities of Tamada Nyohyō (part 2: sources). Itton Jōbutsu (Ichion Jōbutsu). 2021. 50. 2-22
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The shakuhachi, Buddhism, and avant-garde music in early 20th century America - a study of the musical activities of Tamada Nyohyō (part 1). Itton Jōbutsu (Ichion Jōbutsu). 2020. 49. 62-92
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Review of 'Theory and Method in Historical Ethnomusicology' by Jonathan McCollum and David G. Hebert. 2015. 61. 2. 82-84
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Books (7)：
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Vocal Identities & Pedagogies of the Voice in Twentieth-Century Ryukyuan Classical Music
Cambridge Scholars 2022
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Folk and Songs in Japan and Beyond - Ethnomusicological Essays in Honour of David W. Hughes
Cambridge Scholars 2022
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Japan: modern and contemporary performance practice.
SAGE Publications 2019
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Songs, Language and Culture: Ryukyuan Languages in the Okinawan uta-sanshin tradition. Edited by Takao Katsuragi and John C. Maher.
Sangensha 2016
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'Ryukyuan languages in Ryukuan music' in Patrick Heinrich, Shinsho Miyara, Michinori Shimoji (Eds.) Handbook of the Ryukyuan Languages - History, Structure, and Use, Berlin: De Gruyter Mouton, pp. 685-702.
De Gruyter Mouton 2015
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Lectures and oral presentations (28)：
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Sankyoku magazine and the representation of the shakuhachi as a ritual instrument in early 20th century Japan
(Shakuhachi Symposium 2018)
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Constructing the Singing Voice - vocal style, aesthetics, and the body in Okinawan Music
(ICTM Study Group for the Musics of East Asia 2016)
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Constructions of Space, Sound and Community through Song Monuments in Okinawa
(12th International Small Islands Cultures Conference 2016)
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Listening to the voice in Kumiudui - between speech, song and prosody
(British Forum for Ethnomusicology annual conference 2016)
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Transmission and change of the voice in Okinawan traditional music
(Okinawa Bunka Kyoukai 2015)
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Works (1)：
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Sacred Voices
Matt Gillan, Sacred Music Center, International Christian University 2016 -
Professional career (3)：
- Ph.D (Music) (SOAS, University of London)
- M. mus Distinction (SOAS, University of London)
- B.Sc hon (Bristol university)
Work history (4)：
- 2015/04 - 現在 ICU Sacred Music Center
- 2010/04 - 2011/03 Director, Sacred Music Center, International Christian University
- Division of Arts and Sciences, College of Liberal Arts Department of Humanities Major: Music
- Division of Arts and Sciences, College of Liberal Arts Department of Humanities Major: Music Major coordinator (music)
Awards (1)：
Association Membership(s) (3)：
Society for Ethnomusicology
, 東洋音楽学会
, International Council for Traditional Music
