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J-GLOBAL ID:201502281438575403   Reference number:15A0748101

A Research Review on Perception of Consonance and Dissonance-As a Focus on Sensory Consonance-

協和感研究の動向と課題-聴覚的協和感を中心として-
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Volume: 22  Issue:Page: 282-296  Publication year: Jun. 01, 2015 
JST Material Number: L4140A  ISSN: 1341-7924  Document type: Article
Article type: 解説  Country of issue: Japan (JPN)  Language: JAPANESE (JA)
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Applied psychology  ,  Acoustics of music and musical instruments 
Reference (79):
  • Andersen, H. T., & Jensen, K. (2004). Impor tance and Representation of Phase in the Sinusoidal Model. <i>Journal of the Audio Engineering Society</i>, <b>52</b>(11), 1157-1169.
  • Ayotte, J., Peretz, I., & Hyde, K. (2002). Congenital amusia: A group study of adults af flicted with a music-specific disorder. <i>Brain</i>,<b>125</b>(2), 238-251.
  • Bidelman, M. G., & Krishnan, A. (2009). Neural correlates of consonance, dissonance, and the hierarchy of musical pitch in the human brainstem. <i>Journal of Neuroscience</i>, <b>29</b>(42),13165-13171.
  • Bidelman, M. G., & Krishnan, A. (2011). Brainstem correlates of behavioral and composi tional preferences of musical harmony. <i>NeuroReport</i>, <b>22</b>, 212-216.
  • Blood, J. A., Zatorre, J. R., Bermudez, P., & Evans, C. A. (1999). Emotional responses to pleasant and unpleasant music correlate with activity in paralimbic brain regions. <i>Nature Neuroscience</i>, <b>2</b>(4), 382-387.
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