Norihiko Nakamura. The Image Strategy and Rituals of the Monarchy of Thailand in Thai Cinema: Kings, the Emperor, and ‘Ritual Spaceʼ. Adaptation, Mediation and Communication of Otherness in a Globalizing World: Perspectives from Japan. 2021. 137-151
Norihiko Nakamura. The King was Cinema: From the King of Thailand’s Control of “Projection” to Apichatpong Weerasethakul’s Practices of Projected Image. Japanese Journal of Image Arts and Sciences. 2021. 105. 27-44
Norihiko Nakamura. From the Reversing “Site” to the Ghosting of the Viewer: About Apichatpong Weerasethakul’s Phantoms of Nabua. 2018. 69. 253. 49-60