J-GLOBAL ID:201701012176063253   Update date: Jul. 14, 2021

Naito Maho

Naito Maho
Affiliation and department:
Research field  (1): Aesthetics and art studies
Research keywords  (6): Orchestration ,  Performance Practice ,  Gustav Mahler ,  オーストリア ,  ドイツ ,  Musicology
Research theme for competitive and other funds  (6):
  • 2019 - 2022 Die Instrumentation der frühen Symphonien Gustav Mahlers
  • 2021 - 2022 The Creative Process and Musical Language in 20th Century Composers
  • 2020 - Das Strukturierte Promotionsprogramm der Philosophischen Fakultät
  • 2017 - 2019 Composer as Interpreter: From the Transition of Conducting from 19th to 20th Century
  • 2018 - 2019 In Search for the Instrumentation of Gustav Mahler's Middle-Period Works: Featur es and Change
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Papers (5):
  • Naito, Maho. Die Parallelität der Entstehungsprozesse der ersten beiden Symphonien Gustav Mahlers. Instrumentation, Revision und Dirigierpraxis. Freie Beiträge zur Jahrestagung der Gesellschaft für Musikforschung 2019. 2020. 235-243
  • Naito, Maho. The Orchestration of Percussion in the Early Symphonies of Gustav Mahler. The Annual Review of Musicology and Music Studies. 2020. 10. 59-69
  • Maho NAITO. The Interpretation of Gustav Mahler as a Conductor: in the Context of the Interpretational Style of Conductors in the 19th Century. The annual review of musicology and music studies. 2018. 8. 69-79
  • Maho NAITO. Self-interpretation in Retuschen of Gustav Mahler’s Fourth Symphony: Conducting and Composing. Tokyo University of the Arts. 2016
  • Maho NAITO. The Interpretation of Willem Mengelberg. Toho Gakuen School of Music. 2015
MISC (9):
  • 内藤眞帆. グスタフ・マーラー:交響曲第1番ニ長調『巨人』(演奏会曲目解説). Symphony 2019年12月号. 2019
  • 内藤眞帆. マーラーの交響曲創作と指揮者としての歩み. Symphony 2019年11月号. 2019
  • 内藤眞帆. アンサンブル・フリー・イースト 第7回演奏会 プログラム解説. 2017
  • 内藤眞帆. アンサンブル・フリー 第24回演奏会 プログラム解説. 2016
  • 内藤眞帆. アンサンブル・フリー・イースト第5回演奏会 プログラム解説. 2016
Lectures and oral presentations  (9):
  • The Sequence of the Middle Movements in the Second Symphony of Gustav Mahler
    (BFE/RMA Research Students’ Conference 2021 2021)
  • The Way towards Defamiliarized Instrumentation: The Revision Process of Gustav Mahler's First Symphony
    (The 71st Annual Meeting of the Musicological Society of Japan 2020)
  • Instrumentatorische Idiome, Topoi und Räumlichkeit bei Gustav Mahler: Verfremdungsstrategien in der ersten Symphonie
    (Jahrestagung der Gesellschaft für Musikforschung 2020 (due to Covid-19 cancelled) 2020)
  • Die Parallelität der Entstehungsprozesse der ersten beiden Symphonien Gustav Mahlers: Instrumentation, Revision und Dirigierpraxis
    (Jahrestagung der Gesellschaft für Musikforschung 2019 2019)
  • The Changing of Instrumentation in the Early Symphonies of Gustav Mahler: in the Context of His Activities as a Conductor at Hamburg State Opera
    (EARS Graduate Music Forum 2018)
Education (4):
  • 2018 - 現在 Rheinische Friedrich-Wilhelms-Universität Bonn Abteilung für Musikwissenschaft
  • 2017 - 現在 Tokyo University of the Arts Division of Musicology and Music Studies (doctoral course)
  • 2015 - 2017 Tokyo University of the Arts Division of Musicology and Music Studies (master's course)
  • 2011 - 2015 Toho Gakuen School of Music Department of Musicology
Professional career (1):
  • Master of Arts
Work history (2):
  • 2017/04 - 2019/09 Japan Society for the Promotion of Science Research Fellowship for young Scientists (DC1)
  • 2017/04 - 2018/03 Tokyo University of the Arts Teaching Assistant
Committee career (1):
  • 2017/04 - 2018/03 日本音楽学会 常任委員会庶務幹事
Awards (2):
  • 2017/03 - Tokyo University of the Arts Postgraduate Acanthus Music Award
  • 2013/08 - University of California, Berkeley Albert I. Elkus Memorial Prize
Association Membership(s) (2):
THE MUSICOLOGICAL SOCIETY OF JAPAN ,  German Musicological Society (GfM)
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