J-GLOBAL ID:201701015784275157   Update date: Jun. 24, 2022

Pellecchia Diego

ペレッキア ディエゴ | Pellecchia Diego
Affiliation and department:
Job title: 准教授
Other affiliations (1):
  • KCJS Kyoto Consortium for Japanese Studies  非常勤講師
Homepage URL  (2): https://diegopellecchia.com/https://jparc.online/nogaku
Research field  (2): Aesthetics and art studies ,  Cultural anthropology and folklore
Research keywords  (4): Cognition ,  Aesthetics ,  Theatre studies ,  Noh theatre
Research theme for competitive and other funds  (6):
  • 2021 - 2025 Construction of an online resource for comprehensive, cross-disciplinary research on the "language" of Noh
  • 2016 - 2020 Establishing an international reference standard for a comprehensive study of Noh
  • 2019 - Nōgaku and digital humanities
  • 2014 - Archiving and Utilization of Japanese Performing Arts Materials on GloPAD and JPARC
  • 2012 - 2013 Those who love Noh: an enquiry into the world of Noh amateurs
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Papers (19):
  • Pellecchia Diego. The Face and the Mask. Trame giapponesi - Costumi e storie del teatro nō. 2022
  • Diego Pellecchia. Research notes: Some effects of the Coronavirus crisis on Kyoto’s nōgaku. THE BULLETIN OF THE INSTITUTE OF JAPANESE CULTURE KYOTO SANGYO UNIVERSITY. 2021. 26. 153-158
  • Diego Pellecchia, Udaka Michishige, Sugi Ichikazu. On Ataka: Interview With Udaka Michishige and Sugi Ichikazu. MIME Journal. 2021. 27
  • Diego Pellecchia, Mikata Shizuka, Udaka Tatsushige. On Mochizuki: Interview With Mikata Shizuka and Udaka Tatsushige. MIME Journal. 2021. 27
  • Diego Pellecchia. Introducing Genzai Nō: Categorization and Conventions, With a Focus on Ataka and Mochizuki. MIME Journal. 2021. 27. 1-16
MISC (6):
  • Diego Pellecchia. All'Ombra del Ventaglio. Art exhibition "All'ombra del ventaglio". 2022
  • Diego Pellecchia. Noh, an art of contrasts. Noh Reimagined (King's Place, London). 2022
  • Diego Pellecchia. Noh theatre shining in the dark. Noh (Kyoto Kanze Noh Theatre). 2020
  • Diego Pellecchia. Introduction to nō. The Noh Performers' Association website. 2020
  • Diego Pellecchia. Nō masks. The Noh Performer's Association website. 2020
Lectures and oral presentations  (30):
  • Effects of Covid on Japanese theatre
    (J-Pest Pandeminars 2022)
  • Itarazu shite shosho wo miru - kūsō wo tabi suru nō no monogatari
    (Symposium to Celebrate the 20th Anniversary of Kyoto Sangyo University's Faculty of Cultural Studies 2021)
  • Noh Amateurs: Practice and Practitioners
    ((Re)Envisioning Contemporary Japanese Traditional Performing Arts through the Non-Professional 2020)
  • Rethinking about the allure of nōgaku: looking at traditional Japanese performing arts from an international perspective
    (Kyoto University Consortium - Lectures on Kyoto Studies 2020)
  • Archiving and Utilization of Japanese Performing Arts Materials on JPARC (Japanese Performing Arts Research Consortium)
    (Digital Archive Research Center for Japanese Cultural Resources - Research Results Presentation 2019 2020)
Education (2):
  • 2007 - 2011 Royal Holloway, University of London PhD
  • 1999 - 2006 Universita' degli Studi di Verona Lingua e Letteratura Inglese
Professional career (1):
  • PhD (Royal Holloway, University of London)
Work history (5):
  • 2017/04 - 現在 Kyoto Sangyo University Faculty of Cultural Studies Associate Professor
  • 2016/01 - 現在 KCJS(Kyoto Consortium for Japanese Studies) Lecturer
  • 2014/04 - 2017/03 Konan University Faculty of Literature Visiting Lecturer
  • 2016/04 - 2016/08 Ryūkoku University International Center Visiting Lecturer
  • 2009/01 - 2012/04 Royal Holloway University of London Lecturer
Awards (1):
  • 2013 - IFTR New Scholars’ Prize
Association Membership(s) (8):
EAJS European Association for Japanese Studies ,  IFTR International Federation for Theatre Research ,  The Association for Noh and Kyogen Studies ,  AAS Association for Asian Studies ,  AAP Association for Asian Performance ,  ISEAS Scuola Italiana di Studi sull'Asia Orientale ,  芸能史研究会 ,  JAPANESE SOCIETY FOR THEATRE RESEARCH
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