Research theme for competitive and other funds (24)：
2022 - 2025 Space, Consciousness and Art, ~ Playing Spatial Instruments, Becoming Space ~
2021 - 2024 Development of new haptic-audio-visual experiences by constructing remote sound drawing methods using mixed reality
2020 - 2023 バシェ音響彫刻の多面的活用のためのアーカイブと持続的保存方法の研究
2019 - 2023 芸術における真正性と同一性の保存 -リバース・コンサベーションの確立
2019 - 2022 Resonant architecture, connected architecture and music.
2019 - 2021 Assessment and creation of collaborative space using synchronized brain – Pioneering research of bidirectional neuroscience
2018 - 2021 複合現実における空間音描手法の開拓
2017 - 2020 響き合う空間、励起される美意識
2018 - 2019 A Study of Spatial Instruments Using the Quasi-Zenith Satellite System "MICHIBIKI
2017 - 2019 振動する建築
2017 - 2019 芸術表現に適した脳波計と脳波分析方法の開発
2015 - 2018 In the resonance-loop: Musical field and its formation
2016 - 2018 タブレット端末用音楽創作ソフトウェアが創り出す新しい場
2014 - 2016 音楽情動生成のモデル化とそれに基づく作品制作の研究
2013 - 2014 聴覚的リズムと視覚的リズムの交錯による新しい認知の形式
2012 - 2014 アンラーニング・ワークショップの分析過程に関する研究
2010 - 2013 機能和声の終止度導入による音楽階層構造モデルの構築と生理心理学的検証
2010 - 2012 デザイン・プラクティスにおける創造的認知プロセスの構成的方法論に基づく解明
2010 - 2012 Investigation into Creative Cognitive Process in Design Practice on the basis of Constructive Methodology
2008 - 2011 作曲(音楽デザイン)と視覚デザインの統合システムのための研究
2008 - 2010 アンラーニング・ワークショップの開発研究
2007 - 2008 Research on the formation of collaborative and emergent places through play using new media
2005 - 2006 Study on a Methodology of Design of Audio-Visual-Environment on the basis of the Communities and Differences between the Deep Structure of Architectural Space and that of Music
2005 - 2006 Research on the synthetic artistic expression system based on the knowledge representation of deep layered common ground between musical structure and architectural space
Takuro Shibayama, Hidefumi Ohmura, Tatsuji Takahashi, Kiyoshi Furukawa. A Tentative Assumption of Electroacoustic Music as an Enjoyable Music for Diverse People. Proceedings of 14th International Conference on Advances in Computer Entertainment Technology. 2017. 20. 139-152
Gen Hori, Takayuki Hamano, Hidefumi Ohmura, Ryu Nakagawa, Kiyoshi Furukawa, Kazuo Okanoya. Musical chord progression and alpha band desynchronization of EEG. CogMIR 2016. 2016
Original compositions and transcriptions in the tradition of Nancarrow
Musikproduktion Dabringhaus und Grimm Scene 2010
music by matter
2009
Active score music Scribble ; Small fish tale
2001
Small fish : Kiyoshi Furukawa, Masaki Fujihata, Wolfgang Münch
ZKM-Institut für Musik und Akustik & ZKM-Institut für Bildmedien,Hatje Cantz [Vertrieb] 1999 ISBN:3775708464
Music by numbers
Fontec
Lectures and oral presentations (33)：
脳波音楽における ERP 測定に関する検討
(先端芸術音楽創作学会 2020)
Can we really use ERP for media arts? Assessing the feasibility of P300 detection for interactive performances.
(International Conference for Asia Digital Art and Design 2020(ADADA 2020) 2020)
“Embodiment and Interaction as Common Ground for Emotional Experience in Music.”
(the 14th International Symposium on Computer Music Multidisciplinary Research 2019)
“MUCCA”: an Integrated Educational Platform for Generative Artwork and Collaborative Workshops
(International Computer Music Conference 2016)
it’s almost a song...’ an audio-visual installation for using three EEG systems and Clarinet
K. Furukawa, T. Hamano, H. Ohmura, R. Nakagawa, R. Hoshi-Shiba, H. Terasawa 2014 - 2014
Music performance with ‘imagery instrument’ by real-time categorization of brain activities
K.Furukawa, T. M. Rutkowski, T. Hamano, H. Ohmura, R. Hoshi-Shiba, H. Terasawa, and, K. Okanoya 2011 -
Education (2)：
1984 - 1987 ハンブルグ音楽・演劇大学 作曲・音楽理論
1979 - 1984 Universitaet der Kuenste, Berlin Composition
