Research keywords (12):
Claude Gillot
, opéra-ballet
, aesthetics
, Pygmalion
, Roger de Piles
, 彫刻
, 雅宴画
, Antoine Watteau
, rococo
, France
, 18th century
, art history
Research theme for competitive and other funds (3):
2021 - 2025 アントワーヌ・ヴァトーの雅宴画とピュグマリオン神話~描かれた彫像を中心に~
2011 - 2015 Genesis and Significance about the Vivid Representation of the Sculpture-within-a-Picture in Watteau's fête galante.
1999 - 2002 アントワーヌ・ヴァトーの雅宴画における彫刻表現の生成と意義についての考察
Papers (16):
SUGIYAMA Naoko. The Reception of the Pygmalion in 18th Century France About the Opera-Ballet and the fête galante Painted by Watteau. 2023. 19. 23-29
The Lecture on Antoine Watteau at Academie royale de peinture et de sculpture(1)Focused on the Manuscripts of the Count of Caylus (Ms. 1152, fol. 17-41). 2013. 9. 1-4
The Representation of Human Body in Eighteenth-Century France : Focused on the Aesthetic Theory of Rogers de Piles and Falconet. 2012. 8. 1-4
杉山奈生子. 「書評:Alexander M. Schenker, The Bronze Horseman: Falconet’s Monument to Peter the Great, Yale University Press, New Haven/London, 2003」. 『西洋美術研究』. 2006. 12. 164-177