Rchr
J-GLOBAL ID：202001014047557400   Update date: Nov. 20, 2024

Kamekawa Toru

カメカワ トオル | Kamekawa Toru
Affiliation and department：
Tokyo University of the Arts Faculty of Music, Musical Creativity and the Environment Course

About Tokyo University of the Arts Faculty of Music, Musical Creativity and the Environment Course


Job title： Professor
Research field  (1)： Other
Research keywords  (3)： music recording ,  musical acoustics ,  Stereophonic Reproduction
Research theme for competitive and other funds  (12)：
  • 2023 - 2026 Research on production techniques for Noh-kan and the stable availability of raw materials
  • 2021 - 2025 Design of the sound recording and reproduction system for the construction of a music archive using 3D audio
  • 2021 - 2024 三次元音場における下層方向の音源知覚に関する研究
  • 2020 - 2024 Surround system with a wide listening area using loudspeakers radiating inclined plane waves
  • 2017 - 2021 Development of music archiving method enabling reproduction of spatial sound
Show all
Papers (16)：
  • Will Howie, Denis Martin, Atsushi Marui, Kamekawa Toru, Sungyoung Kim, Aybar Aydin, Richard King. Perceptual Comparison of 3D Audio Reproduction With and Without Bottom Channels. Journal of the Audio Engineering Society. 2024. 72. 4. 221-234
  • Liu JieYing, Toru Kamekawa, Atsushi Marui. Acoustic expression of emotions in vocal performance: Vibrato variability in emotional singing styles. Acoustical Science and Technology. 2022. 43. 3. 201-204
  • Rai Sato, Atsushi Marui, Toru Kamekawa, Sungyoung Kim. Variation in the temporal window of integration with changing the sound pressure level of a sound stimulus. Acoustical Science and Technology. 2022. 43. 2. 162-165
  • Will Howie, Denis Martin, Sungyoung Kim, Toru Kamekawa, Richard King. Effect of Skill Level on Listener Performance in 3D Audio Evaluation. Journal of the Audio Engineering Society. 2020. 68. 9. 628-637
  • Toru Kamekawa, Atsushi Marui. Evaluation of recording techniques for three-dimensional audio recordings: Comparison of listening impressions based on difference between listening positions and three recording techniques. Acoustical Science and Technology. 2020. 41. 1. 260-268
ｍore...
MISC (23)：
  • 吉田羽那, 上原崇寛, 児玉秀和, 亀川徹, 丸井淳史. Guitar player evaluation of string material including acoustics and physical through comparison of guitar playing. 音楽音響研究会資料. 2023. 41. 9
  • Piano performance evoking verbal descriptors for piano sound evaluation. 2017. 36. 4. 1-4
  • Effects of difference of the decay time and the wave type has on degree of "Kawaii" of a single sound. 2017. 36. 4. 129-132
  • The effect of characteristics of sound source on spatial impression of multi-channel audio reproduction system. 2017. 36. 1. 13-18
  • Spatial Impression of Reverberation from the Upper Hemisphere of 3D Recordings in Concert Halls. 2017. 35. 8. 13-18
ｍore...
Books (7)：
  • 物理と心理から見る音楽の音響
    コロナ社 2024 ISBN:9784339011661
  • 音響学講座9巻「音楽音響」
    2023 ISBN:9784339013696
  • 音楽知覚認知ハンドブック : 音楽の不思議の解明に挑む科学 = Handbook of music perception and cognition to study music wonders scientifically
    北大路書房 2020 ISBN:9784762830990
  • 森山威男スイングの核心
    ヤマハミュージックエンタテインメントホールディングス 2017 ISBN:9784636911640
  • 音を追究する
    放送大学教育振興会 2016 ISBN:9784595316104
ｍore...
Lectures and oral presentations  (30)：
  • On the bandwidth required for the perception of the top layer in 3D audio with simple sound sources
    (Audio Engineering Society, the 156th Convention 2024)
  • 3Dオーディオにおける上層の知覚に必要な帯域について
    (日本音響学会春季研究会 2024)
  • 3Dオーディオにおける上層の知覚と頭部運動(Roll)との関連について
    (日本音響学会秋季研究会 2023)
  • The effect of head tilt on the perception of the top layer of three-dimensional audio
    (Audio Engineering Society, The International Conference on Spatial and Immersive Audio 2023)
  • How much can the number of microphones for 3D audio recording be reduced while maintaining spatial impression?
    (Audio Engineering Society, the 154th Convention 2023)
ｍore...
Education (2)：
  • 2003 - 2006 Kyushu University Faculty of Design
  • 1979 - 1983 Kyushu Institute of Design Fuculty of Design Acoustic Design
Professional career (1)：
  • 博士 (九州芸術工科大学)
Work history (2)：
  • 2002/10 - 現在 Tokyo University of the Arts Faculty of Music
  • 1983/04 - 2002/09 Japan Broadcasting Corporation
Awards (3)：
  • 2024/06 - Audio Engineering Society the Fellowship Award for diverse research on immersive audio production and reproduction and years of outstanding contributions to AES activities
  • 2019/03 - Audio Engineering Society the Board of Governor Award Contribution for the International conference on "Spatial Reproduction" in 2018
  • 1998/03 - 映画テレビ技術協会 柴田賞
Association Membership(s) (3)：
The Japanese Society for Music Perception and Cognition ,  Audio Engineering Society ,  Acousitcal Society of Japan
※ Researcher’s information displayed in J-GLOBAL is based on the information registered in researchmap. For details, see here.

Return to Previous Page

TOP

BOTTOM