Research theme for competitive and other funds (1)：
2020 - 2023 Singing Practices in Medieval Monasteries: New Aspects in Solmization Syllables
Papers (8)：
MIYAZAKI, Haruyo. On the Usage of Noeane/Noeagis Syllables in Medieval Solmization Theory: Focusing on Treatises in the 9th century. Bulletin of Msashino Academia Musicae. 2021. 53. 139-162
MIYAZAKI, Haruyo. The Acceptance of Studies on European Medieval and Renaissance Music in Japan. FONTES ARTIS MUSICAE. 2021. 68. 3. 245-254
MIYAZAKI, Haruyo. Guido, an Educator: Some methods of Solumization and its Transmission. 2018. 139-160
MIYAZAKI, Haruyo. Ut queant laxis and Trinum et unum on solmization in Medieval Ages The development process of Solmization syllable. Bulletin of Msashino Academia Musicae. 2018. 50. 117-136
MIYAZAKI, Haruyo. Solmization theory in medieval music and Guidonian hand: Scientia Artis Musicae by Elias Salomo. Bulletin of Msashino Academia Musicae. 2014. 46. 159-174
Syllable Singing in Music Theory from the Ninth to Eleventh Centuries
(Early Music Pedagogy Then and Now: From the Classical Antiquity to the Renaissance. 2022)
On the usage of Noeane/Noeagis in medieval music theory
(2021)
Symposium "Emotions in the Middle Ages": Expressions of Emotions in Late 13th Century Music - What we can see from the relationship between J. Groceo's music theory and the music of his time.
(2020)
On the Early Sources of Medieval Singing Practice: The Usage of Solmization Syllables in Montecassino, Cod. 318
(2019)
The Establishment Process of Solmization Syllables in the Middle Ages
(2018)
