2017 - 2019 The Tourist Gaze and Imperialism: Re-envisioning Imperial Japan through Archival Research of Non-theatrical Film
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Papers (12):
Shota T. Ogawa. “Zainichi Cinema” in a Global Frame. Transnational Asia: An Online Interdisciplinary Journal. 2023
Shota T. Ogawa. Decolonizing (through) Obsolete Media. Non-Fiction. 2023
Shota Ogawa. Small-Gauge Film Library as Interwar Graphic Culture--Focusing on Sakura-graph. The Bulletin of Graphic Culture Research Grants. 2022. 4. 76-86
Shota T. Ogawa. Testimony Film and Archive Turn: Regarding the Legibility of Park Soo-nam's Fragmentary Outtakes. Eizōgaku (The Japan Society of Image Arts and Sciences). 2022. 107. 122-139
OGAWA Shota. BOOK REVIEW MA Ran, Independent Filmmaking across Borders in Contemporary Asia Amsterdam University Press, 2020. eizogaku. 2021. 106. 0. 129-133
Shota T. Ogawa. Small-Gauge Film Library as Interwar Graphic Culture--Focusing on Sakuragraph. FA. 2024. 12. 199. 14-25
Shota Ogawa (Translator). Noriko Morita "A Supple Perspective: On Nihon documentary eiga-zenshi". Noda Shinkichi Retrospective: A Festival of Things and Life. 2023
Shota T. Ogawa. Documentary Practices between Zainichi and Diaspora: Enduring Traces, Fleeting Observations. DMZ POV Koreans-in-Japan Booklet, DMZ International Documentary Film Festival. 2021. 12-19
Shota T. Ogawa. “Film und Foto” Redux in Japan’s 2010s. Trans-Asia Photography Review. 2020. 10. 2