竹中 悠美. The Family of Man in Japan: A Photographic Exhibition for World Peace and Atomic Culture in the 1950s. Popular Inquiry: The Journal of the Aesthetics of Kitsch, Camp and Mass Culture. 2020. 1/2020. 44-55
Yumi Kim Takenaka. The Weight of Snow: The Transition in Snowscape Pictures Toward Documentary Photography in Japan. The Journal of Asian Arts & Aesthetics. 2020. Vol.6. 21-32
Yumi Kim Takenaka. Realism and Ethnology in Ueda Shōji’s Photography: Another Aspect of Ueda-chō. Art Research. 2020. Special Issue. 1. 61-68
Yumi Takenaka. The boundary zone between natural phenomena and natural disasters in Japanese popular art: Focusing on ukiyo-e and documentary phonebooks. Communication and Dialogue, The Ninth International Conference of Eastern Aesthetics. 2019. 107-115
Yumi Kim Takenaka. The Family of Man in Japan: A Photographic Exhibition for World Peace and Atomic Culture in the 1950s. 21st International Congress of Aesthetics Proceeding. 2019. 1570-1575
The boundary zone between natural phenomena and natural disasters in Japanese popular art: Focusing on ukiyo-e and documentary phonebooks
(The Ninth International Conference of Eastern Aesthetics 2019)